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Item Details
| Title:
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WALTON'S LIVES
CONFORMIST COMMEMORATIONS AND THE RISE OF BIOGRAPHY |
| By: |
Jessica Martin |
| Format: |
Hardback |
| List price:
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£47.99 |
| Our price: |
£41.99 |
| Discount: |
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| You save:
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£6.00 |
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| ISBN 10: |
0198270151 |
| ISBN 13: |
9780198270157 |
| Availability: |
Usually dispatched within 1-3 weeks.
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| Stock: |
Currently 0 available |
| Publisher: |
OXFORD UNIVERSITY PRESS |
| Pub. date: |
22 November, 2001 |
| Pages: |
376 |
| Description: |
Walton's Lives, which include those of John Donne and George Herbert, helped establish modern biography. A major influence on Boswell and Johnson, Walton's achievement has usually been assessed - and criticized - in relation only to the developed ethic he helped to establish. This book is the first extended study of the process by which Walton transformed the type-dominated conventions he inherited into the particularized individual portrait we take to becentral not only to biography but to the novel. |
| Synopsis: |
This book argues that Walton's practice, in his Lives, was crucial in shaping modern expectations of biography: how it should be organised, how it should treat evidence, how seriously it should regard narrative coherence, and most particularly in the modern expectation of an intimate relationship between author, reader, and subject. Dr Martin considers Walton's biographical ethics in relation to the tributary genres influencing him as they emerged from post-Reformation commendatory practice after 1546, most particularly classical funeral oratory and the emergent Protestant funeral sermon, the Plutarchan parallel, the didactic Character, martyrological narrative, and finally Walton's direct model, the exemplary biographical commemoration of the conformist minister. Dr Martin considers how Walton develops his literary inheritance, arguing that his lay status required him to initiate a different kind of mediation between reader and subject from the straightforwardly imitative.Walton presents himself as a channel for the words and acts of an authoritative subject, a preference implicitly followed both in his stress on personal connections with his subjects (which spectacularly particularizes his portraits) and in his very extensive use of their own writings. His Lives attempt posthumous autobiography. They are also considered as prominent and accomplished examples of the many politically intended narratives which exploit a consensual interpretation of private virtue to support, without having to argue for, a sectarian interpretation of public rectitude. |
| Publication: |
UK |
| Imprint: |
Oxford University Press |
| Returns: |
Returnable |
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