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Item Details
Title: A STORY OF RUINS
PRESENCE AND ABSENCE IN CHINESE ART AND VISUAL CULTURE
By: Wu Hung
Format: Hardback

List price: £41.95


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ISBN 10: 069115502X
ISBN 13: 9780691155029
Publisher: PRINCETON UNIVERSITY PRESS
Pub. date: 2 July, 2012
Pages: 296
Description: Examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. In this book, the author shows how the story of ruins in China is different from but connected to "ruin culture" in the West.
Synopsis: This richly illustrated book examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. Leading scholar of Chinese art Wu Hung shows how the story of ruins in China is different from but connected to "ruin culture" in the West. He investigates indigenous Chinese concepts of ruins and their visual manifestations, as well as the complex historical interactions between China and the West since the eighteenth century. Analyzing a broad variety of traditional and contemporary visual materials, including painting, architecture, photography, prints, and cinema, Wu also embraces a wide variety of subjects - from indigenous methods of recording damage and decay in ancient China, to realistic images of architectural ruins in the nineteenth and twentieth centuries, to the strong interest in urban ruins in contemporary China, as shown in the many artworks that depict demolished houses and decaying industrial sites. The result is an original interpretation of the development of Chinese art, as well as a unique contribution to global art history.
Illustrations: 250 color illus.
Publication: US
Imprint: Princeton University Press
Returns: Returnable
Some other items by this author:
A STORY OF RUINS
ALLURE OF MATTER THE (HB)
BETWEEN PAST AND FUTURE (HB)
BETWEEN PAST AND FUTURE (HB)
BODY AND FACE IN CHINESE VISUAL CULTURE (HB)
BOUNDARIES IN CHINA PB (PB)
CELESTIAL REALM (HB)
CHINESE ART AND DYNASTIC TIME (HB)
CHINESE SCULPTURE (HB)
CONTEMPORARY CHINESE ART (PB)
CONTEMPORARY CHINESE ART: A HISTORY (HB)
DISPLACEMENT (PB)
DOUBLE SCREEN (PB)
EXHIBITING EXPERIMENTAL ART IN CHINA (PB)
FULL-LENGTH MIRROR (HB)
HUNG LIU: GREAT GRANARY (HB)
INK ART (HB)
LIFE AND DREAMS: CONTEMPORARY CHINESE PHOTOGRAPHY AND MEDIA ART (HB)
LIU ZHENG (HB)
MAKING HISTORY (HB)
MONUMENTALITY IN EARLY CHINESE ART AND ARCHITECTURE (HB)
RE-IMAGINING THE REAL (HB)
REMAKING BEIJING (HB)
REMAKING BEIJING (PB)
REMAKING BEIJING (PB)
RES: ANTHROPOLOGY AND AESTHETICS, 61/62: SPRING/AUTUMN 2012 (PB)
RONGRONG AND INRI (HB)
RUINS IN CHINESE ART AND VISUAL CULTURE (HB)
SPATIAL DUNHUANG (HB)
SUMMONING GHOSTS (HB)
THE ART OF THE YELLOW SPRINGS
THE ART OF THE YELLOW SPRINGS (HB)
THE ART OF THE YELLOW SPRINGS (PB)
THE DOUBLE SCREEN
THE WU LIANG SHRINE (HB)
TRANSIENCE (PB)
WU HUNG ON CONTEMPORARY CHINESE ARTISTS (HB)
XU BING (PB)
YIN XIUZHEN (PB)
ZOOMING IN (HB)

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