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Item Details
Title: SYDNEY BOX
By: Professor Andrew Spicer
Format: Paperback

List price: £16.99
Our price: £15.29
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ISBN 10: 0719060001
ISBN 13: 9780719060007
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Publisher: MANCHESTER UNIVERSITY PRESS
Pub. date: 1 April, 2011
Series: British Film-Makers
Pages: 233
Description: A lucid and informative account, drawing on unpublished material, of the career of one of the most successful and significant producers in British cinema. It provides discussion of all his films, including The Seventh Veil (1945), and affords an exceptional insight into the workings of the wartime and postwar British film and television industries. -- .
Synopsis: This is an authoritative account of the career of Sydney Box, one of British cinema's most successful and significant producers. Concentrating on the period 1940-65, it highlights the crucial but often misunderstood role that the producer plays in the film making process and, using largely unpublished material, affords an exceptional insight into the workings of the film industry.Box's career was exceptionally varied and this study analyses the work of his company Verity Films, which produced over 100 short propaganda films during the Second World War, as well as Box's work as a feature film producer and as managing director of Gainsborough Pictures (1944--49). It encompasses the difficulties he experienced as an independent producer in the 1950s and the formation of Sydney Box Associates, his role in early television history, and his imaginative if unsuccessful bids for British Lion and London Weekday Television in the early 1960s.This study will be essential reading for scholars and students interested in British cinema and television history, but its focus on the frequently misrepresented or misunderstood role of the producer will make it valuable for students of film generally. -- .
Illustrations: Illustrations, black & white
Publication: UK
Imprint: Manchester University Press
Returns: Non-returnable
Some other items by this author:
101 FASCINATING HOCKEY FACTS
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A WONDERFUL HEART (PB)
AN AMBIVALENT ARCHETYPE (PB)
ANTHONY ASQUITH
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BEYOND THE BOTTOM LINE (HB)
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BIGGER THAN BEN-HUR (HB)
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BRITISH CINEMA OF THE 1950S
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BUILDING SUCCESSFUL AND SUSTAINABLE FILM AND TELEVISION BUSINESSES (PB)
CALVINIST CHURCHES IN EARLY MODERN EUROPE (HB)
CALVINIST CHURCHES IN EARLY MODERN EUROPE (PB)
CAPTAIN SWING RECONSIDERED (PB)
CAROL REED (PB)
CHARLES DICKENS' "GREAT EXPECTATIONS" (PB)
CHRISTIANITY AND RELIGIOUS PLURALITY (HB)
DAVID LEAN
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DEFINING THE HOLY
DEFINING THE HOLY
DEFINING THE HOLY
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DEREK JARMAN (PB)
DISSIDENT IDENTITIES IN THE EARLY MODERN LOW COUNTRIES
DISSIDENT IDENTITIES IN THE EARLY MODERN LOW COUNTRIES
DISSIDENT IDENTITIES IN THE EARLY MODERN LOW COUNTRIES
DISSIDENT IDENTITIES IN THE EARLY MODERN LOW COUNTRIES (HB)
DOUBLE ACT (PB)
DOUBTING CHRISTIANITY (HB)
EUROPEAN FILM NOIR (HB)
EUROPEAN FILM NOIR (PB)
FILM NOIR (HB)
FILM NOIR (PB)
FILMING LITERATURE
FILMING LITERATURE
FILMING LITERATURE
FILMING LITERATURE (HB)
FILMING LITERATURE (PB)
FILMS OF ALFRED HITCHCOCK (HB)
FILMS OF FRED SCHEPISI
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FOUR FROM THE FORTIES (HB)
FRED ZINNEMANN (PB)
GEORGE STEVENS
GOLDEN OLDIES
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GRAHAM GREENE
GRAHAM GREENE (HB)
GRAHAM GREENE (PB)
HISTORICAL DICTIONARY OF FILM NOIR
HISTORICAL DICTIONARY OF FILM NOIR (HB)
HUMPHREY JENNINGS
HUMPHREY JENNINGS
HUMPHREY JENNINGS (HB)
J. LEE THOMPSON (PB)
JACK CLAYTON (PB)
JOSEPH LOSEY (PB)
KAREL REISZ (HB)
KAREL REISZ (PB)
LANCE COMFORT (HB)
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LAUNDER AND GILLIAT (PB)
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LUTHERAN CHURCHES IN EARLY MODERN EUROPE
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MICHAEL REEVES (PB)
MICHAEL WINTERBOTTOM (HB)
MIKE LEIGH
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NEVER-ENDING BRIEF ENCOUNTER (HB)
NEW AUSTRALIAN CINEMA (HB)
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NOTABLE TREES OF NORWICH (PB)
NOVEL TO FILM (PB)
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PARISH CHURCHES IN THE EARLY MODERN WORLD
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PETER PUCK AND THE RUNAWAY ZAMBONI MACHINE (HB)
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PUBLIC OPINION AND CHANGING IDENTITIES IN THE EARLY MODERN NETHERLANDS (HB)
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RICHARD ATTENBOROUGH
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RITUAL AND VIOLENCE (PB)
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TERENCE DAVIES (PB)
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TERRY GILLIAM (HB)
THE ADAPTATION OF A LITERARY TEXT TO FILM (HB)
THE BLACK DEATH (HB)
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THE BRITISH 'B' FILM (HB)
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THE ENCYCLOPEDIA OF BRITISH FILM
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