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Item Details
Title: BECKETT, DELEUZE AND THE TELEVISUAL EVENT
PEEPHOLE ART
By: Colin Gardner
Format: Electronic book text

List price: £50.00


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ISBN 10: 1137014369
ISBN 13: 9781137014368
Publisher: PALGRAVE MACMILLAN
Pub. date: 14 September, 2012
Description: An expressive dialogue between Deleuze's philosophical writings on cinema and Beckett's innovative film and television work, the book explores the relationship between the birth of the event - itself a simultaneous invention and erasure - and Beckett's attempts to create an incommensurable space within the interstices of language as a (W)hole.
Synopsis: An expressive dialogue between Gilles Deleuze's philosophical writings on cinema and Samuel Beckett's innovative film and television work, the book explores the relationship between the birth of the event - itself a simultaneous invention and erasure - and Beckett's attempts to create an unrepresentable space within the interstices of language as a (W)hole. While focusing specifically on Film (1964), the television adaptations of dramatic works such as Play, Not I and What Where, as well as the made-for-TV productions of Eh Joe, ...but the clouds..., Ghost Trio, Quad I & II and Nacht und Traume, this book is more than an exploration of Beckett's TV work through a specific Deleuzean filter. More importantly, it is also an opportunity to re-examine Deleuze's Cinema 1 and 2 - specifically the affect- and time-images - through Beckett's specific audio-visual 'peephole.' Given Beckett's obvious compatibility with Kafka and minor literature, this study contextualizes his television work in relation to Deleuze's writings on cinema as a whole, and by extension, the ontology and semiotics of film and televisual language.
Illustrations: 6 figures, 10 black & white halftones
Publication: UK
Imprint: Palgrave Macmillan
Returns: Non-returnable
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