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Item Details
Title: TEACHING FILM
By: Lucy Fischer, Patrice Petro
Format: Paperback

List price: £40.95
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ISBN 10: 1603291156
ISBN 13: 9781603291156
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Publisher: MODERN LANGUAGE ASSOCIATION OF AMERICA
Pub. date: 15 June, 2012
Series: Options for Teaching 35
Pages: 275
Synopsis: Film studies has been a part of higher education curricula in the United States almost since the development of the medium. Although the study of film is dispersed across a range of academic departments, programs, and scholarly organisations, film studies has come to be recognised as a field in its own right. In an era when teaching and scholarship are increasingly interdisciplinary, film studies continues to expand and thrive, attracting new scholars and fresh ideas, direction, and research. Given the dynamism of the field, experienced and beginning instructors alike need resources for bringing the study of film into the classroom. This volume will help instructors conceptualise contemporary film studies in pedagogical terms. The first part of the volume features essays on theory and on representation, including gender, race, and sexuality. Contributors then examine the geographies of cinema and offer practical suggestions for structuring courses on national, regional, and transnational film.Several essays focus on interdisciplinary approaches, while others describe courses designed around genre (film noir, the musical), mode (animation, documentary, avant-garde film), or the formal elements of film, such as sound, music, and mise-en-scene. The volume closes with a section on film and media in the digital age, in which contributors discuss the opportunities and challenges presented by access to resources, media convergence, and technological developments in the field.
Publication: US
Imprint: Modern Language Association of America
Returns: Returnable
Some other items by this author:
AFTER CAPITALISM (HB)
AFTER CAPITALISM (PB)
AFTERSHOCKS OF THE NEW (PB)
AMERICAN CINEMA OF THE 1920S (HB)
AMERICAN CINEMA OF THE 1920S (PB)
ART DIRECTION AND PRODUCTION DESIGN (HB)
ART DIRECTION AND PRODUCTION DESIGN (PB)
BEYOND GLOBALIZATION (HB)
BEYOND GLOBALIZATION (PB)
BEYOND TERROR (HB)
BEYOND TERROR (PB)
BIRDS OF PARADISE (PB)
BODY DOUBLE (HB)
BODY DOUBLE (PB)
CINEMA BY DESIGN
CINEMA BY DESIGN (HB)
CINEMA BY DESIGN (PB)
CINEMAGRITTE
CINEMAGRITTE (HB)
CINEMATERNITY
CINEMATERNITY (HB)
CINEMATERNITY (HB)
CINEMATERNITY (PB)
CINEMATERNITY (PB)
DESIGNING WOMEN
DESIGNING WOMEN (HB)
DESIGNING WOMEN (PB)
DIGITAL DILEMMAS (HB)
DIGITAL DILEMMAS (PB)
EMOTION PICTURES (HB)
FUGITIVE IMAGES (HB)
GLAMOUR IN A GOLDEN AGE (PB)
GLOBAL CITIES (PB)
GLOBAL CURRENTS (HB)
GLOBAL CURRENTS (PB)
IDOLS OF MODERNITY
IDOLS OF MODERNITY (HB)
IDOLS OF MODERNITY (PB)
IMITATION OF LIFE (PB)
INDIANIZING FILM (HB)
INDIANIZING FILM (PB)
JOURNALIST
JOYLESS STREETS (PB)
OLDER VOLUNTEERS (HB)
OLDER VOLUNTEERS (PB)
RETHINKING GLOBAL SECURITY (HB)
RETHINKING GLOBAL SECURITY (PB)
SHOT/COUNTERSHOT
SHOT/COUNTERSHOT (HB)
SHOT/COUNTERSHOT (PB)
SIDE DISHES (HB)
SIDE DISHES (PB)
STARS (HB)
STARS (PB)
SUNRISE
SUNRISE: A SONG OF TWO HUMANS (PB)
TEACHING FILM (HB)
THE ROUTLEDGE COMPANION TO CINEMA & GENDER (HB)
TRUTH CLAIMS (PB)

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