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Item Details
Title: THE OXFORD HANDBOOK OF MODERN IRISH THEATRE
By: Nicholas Grene (Editor), Chris Morash (Editor)
Format: Hardback

List price: £157.50
Our price: £137.81
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12.5% off
You save: £19.69
ISBN 10: 0198706138
ISBN 13: 9780198706137
Availability: Usually dispatched within 1-3 weeks.
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Publisher: OXFORD UNIVERSITY PRESS
Pub. date: 7 July, 2016
Series: Oxford Handbooks
Pages: 800
Description: The Oxford Handbook of Modern Irish Theatre provides a comprehensive guide to beginning or continuing the study of Irish theatre since the late nineteenth century.
Synopsis: The Oxford Handbook of Modern Irish Theatre provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century theatre to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors.There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the authors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.
Illustrations: 58 black-and-white illustrations
Publication: UK
Imprint: Oxford University Press
Returns: Returnable
Some other items by this author:
A HISTORY OF IRISH THEATRE 1601-2000 (PB)
A HISTORY OF THE MEDIA IN IRELAND (HB)
A HISTORY OF THE MEDIA IN IRELAND (PB)
BERNARD SHAW (PB)
COLLECTED ESSAYS OF JOHN MILLINGTON SYNGE (HB)
CREATIVITY IN ITS CONTEXTS (PB)
HOME ON THE STAGE (HB)
HOME ON THE STAGE (PB)
INTERACTIONS (PB)
INTERPRETING SYNGE (HB)
IRISH DRAMA: LOCAL AND GLOBAL PERSPECTIVES (PB)
IRISH THEATRE IN THE TWENTY-FIRST CENTURY (HB)
IRISH THEATRE ON TOUR (PB)
MAJOR BARBARA
MAJOR BARBARA
MAJOR BARBARA (PB)
MAPPING IRISH THEATRE (HB)
MAPPING IRISH THEATRE (PB)
MAYNOOTH UNIVERSITY RECORD (PB)
MURPHY PLAYS (PB)
NOTHING QUITE LIKE IT (PB)
PYGMALION (PB)
R.K NARAYAN (PB)
SHAKESPEARE'S SERIAL HISTORY PLAYS (HB)
SHAKESPEARE'S SERIAL HISTORY PLAYS (PB)
SHAKESPEARE'S TRAGIC IMAGINATION
SHAKESPEARE'S TRAGIC IMAGINATION (HB)
SHAKESPEARE'S TRAGIC IMAGINATION (PB)
SHAKESPEARE, JONSON, MOLIERE (PB)
SHAW, LADY GREGORY AND THE ABBEY (HB)
SHIFTING SCENES (PB)
SYNGE AND EDWARDIAN IRELAND (HB)
TALKING ABOUT TOM MURPHY (PB)
THE POLITICS OF IRISH DRAMA
THE POLITICS OF IRISH DRAMA (HB)
THE POLITICS OF IRISH DRAMA (PB)
THE THEATRE OF TOM MURPHY
THE THEATRE OF TOM MURPHY
THE THEATRE OF TOM MURPHY (HB)
THE WELL OF THE SAINTS (HB)
THEATRE OF TOM MURPHY (PB)
TRADITION AND INFLUENCE IN ANGLO-IRISH POETRY (HB)
TRADITION AND INFLUENCE IN ANGLO-IRISH POETRY (PB)
WRITING THE IRISH FAMINE (HB)
YEATS''S POETIC CODES
YEATS'S POETIC CODES (HB)

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