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Title: THE FILMS OF THEO ANGELOPOULOS
A CINEMA OF CONTEMPLATION
By: Andrew Horton
Format: Paperback

List price: £32.00
Our price: £25.60
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ISBN 10: 0691010056
ISBN 13: 9780691010052
Availability: Usually dispatched within 1-3 weeks.
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Publisher: PRINCETON UNIVERSITY PRESS
Pub. date: 12 October, 1999
Edition: With a New afterword by the author
Series: Princeton Modern Greek Studies
Pages: 256
Description: Greek film director Theo Angelopoulos is one of the most influential and widely respected filmmakers in the world, yet his films are still largely unknown to the American public. This title provides a contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work.
Synopsis: Greek film director Theo Angelopoulos is one of the most influential and widely respected filmmakers in the world today, yet his films are still largely unknown to the American public. In the first book in English to focus on Angelopoulos's unique cinematic vision, Andrew Horton provides an illuminating contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. Horton situates the director in the context of over 3,000 years of Greek culture and history. Somewhat like Andrei Tarkovsky in Russia or Antonioni in Italy, Angelopoulos has used cinema to explore the history and individual identities of his culture. With such far-reaching influences as Greek myth, ancient tragedy and epic, Byzantine iconography and ceremony, Greek and Balkan history, modern Greek pop culture including bouzouki music, shadow puppet theater, and the Greek music hall tradition, Angelopoulos emerges as an original "thinker" with the camera, and a distinctive director who is bound to make a lasting contribution to the art form. In a series of films including The Travelling Players, Voyage to Cythera, Landscape in the Mist, The Suspended Step of the Stork, and most recently in Ulysses' Gaze starring Harvey Keitel (winner of the 1995 Cannes Film Festival Grand Prix), Angelopoulos has developed a remarkable cinematic style, characterized by carefully composed scenes and an enormous number of extended long shots. In an age of ever decreasing attention spans, Angelopoulos offers a cinema of contemplation.
Illustrations: 14 halftones
Publication: US
Imprint: Princeton University Press
Returns: Returnable
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A COMPANION TO FILM COMEDY
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ERNIE KOVACS & EARLY TV COMEDY (PB)
ERNIE KOVACS AND EARLY TV COMEDY (HB)
HENRY BUMSTEAD AND THE WORLD OF HOLLYWOOD ART DIRECTION (PB)
INSIDE SOVIET FILM SATIRE
INSIDE SOVIET FILM SATIRE (PB)
LAUGHING OUT LOUD
LAUGHING OUT LOUD (PB)
RUSSIAN CRITICS ON THE CINEMA OF GLASNOST
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SCREENWRITING (HB)
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SCREENWRITING FOR A GLOBAL MARKET
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THE EYE OF THE SHAH (PB)
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WRITING THE CHARACTER-CENTERED SCREENPLAY (PB)
WRITING THE CHARACTER-CENTERED SCREENPLAY, UPDATED AND EXPANDED EDITION

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