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Item Details
| Title:
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EVERYDAY GENIUS
SELF-TAUGHT ART AND THE CULTURE OF AUTHENTICITY |
| By: |
Gary Alan Fine |
| Format: |
Hardback |
| List price:
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£31.00 |
| Our price: |
£27.90 |
| Discount: |
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| You save:
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£3.10 |
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| ISBN 10: |
0226249506 |
| ISBN 13: |
9780226249506 |
| Availability: |
Publisher out of stock. This item may be subject to delays or cancellation.
 Delivery
rates
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| Stock: |
Currently 0 available |
| Publisher: |
THE UNIVERSITY OF CHICAGO PRESS |
| Pub. date: |
30 June, 2004 |
| Edition: |
2nd ed. |
| Pages: |
328 |
| Description: |
From Henry Darger's claborate works of young girls caught in a brutal war to the New Mexican artist who sells animal-hide sculptures by the side of the road, the work of "outsider" artists has achieved unique status in the art world. |
| Synopsis: |
From Henry Darger's elaborate works of young girls caught in a brutal war to the New Mexican artist who sells animal-hide sculptures by the side of the road, the work of "outsider" artists has achieved unique status in the art world. Celebrated for their lack of traditional training and their position on the fringes of the social system, outsider artists nonetheless participate in a traditional network of value, status, and money. After spending years immersed in the world of self-taught artists, Gary Alan Fine presents Everyday Genius, one of the most insightful and comprehensive examinations of this network and how it confers artistic value. Fine considers the differences among folk art, outsider art, and self-taught art, explaining the economics of this distinctive art market and exploring the dimensions of its artistic production and distribution.Interviewing dealers, collectors, curators, and critics, and venturing into the backwoods and inner-city homes of dozens of self-taught artists, Fine describes how authenticity is central to this system in which artists - often poor, elderly, members of a minority group, or mentally ill - are seen as having an unfettered form of expression highly valued in the art world. Respected dealers, he shows, have a hand in burnishing biographies of the artists, and both dealers and collectors trade in identities as much as objects. Revealing the inner workings of an elaborate and prestigious world in which money, personalities, and values affect one another, and speaking eloquently to both experts and general readers, Fine provides access to a world of creative invention - both by self-taught artists and by those who profit from their work. |
| Illustrations: |
Illustrations (1 col.), ports. |
| Publication: |
US |
| Imprint: |
University of Chicago Press |
| Returns: |
Returnable |
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