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Item Details
Title: SMILE OF DISCONTENT
HUMOR, GENDER, AND NINETEENTH-CENTURY BRITISH FICTION
By: Eileen Gillooly, Catharine R. Stimpson (Foreword)
Format: Paperback

List price: £30.00
Our price: £27.00
Discount:
10% off
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ISBN 10: 0226294021
ISBN 13: 9780226294025
Availability: Usually dispatched within 1-3 weeks.
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Publisher: THE UNIVERSITY OF CHICAGO PRESS
Pub. date: 15 June, 1999
Series: Women in Culture and Society Series
Pages: 288
Description: Argues that humour has long been viewed as a repressed feature of 19th-century femininity. However, in the works of writers such as Jane Austen and Henry James, the book points to a wryly amusing perspective that differs in rhetoric, affect, and politics from traditional forms of comic expression.
Synopsis: Like sex, Eileen Gillooly argues, humour has long been viewed as a repressed feature of 19th-century femininity. However, in the works of writers such as Jane Austen, George Eliot, Elizabeth Gaskell, Anthony Trollope, and Henry James, Gillooly finds an understated, wryly amusing perspective that differs subtly but significantly in rhetoric, affect, and politics from traditional forms of comic expression. Gillooly shows how such humour became, for mostly female writers at the time, an unobtrusive and prudent means of expressing discontent with a culture that was ideologically committed to restricting female agency and identity. If the aggression and emotional distance of irony and satire mark them as "masculine", then for Gillooly, the passivity, indirection, and sympathy of the humour she discusses render it "feminine." She goes on to disclose how the humorous tactics employed by writers from Burney to Wharton persist in the work of Barbara Pym, Anita Brookner, and Penelope Fitzgerald.
Illustrations: 7 halftones
Publication: US
Imprint: University of Chicago Press
Returns: Returnable
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AFRICA WO/MAN PALAVA (PB)
CAMBIOS SOCIALES, ECONOMICOS Y CULTURALES: LOS ESTUDIOS DE MUJERES (PB)
CIVILIZATION WITHOUT SEXES (HB)
CIVILIZATION WITHOUT SEXES (PB)
CONTEMPORARY DICKENS (PB)
CRITICAL TERMS FOR THE STUDY OF GENDER (HB)
CRITICAL TERMS FOR THE STUDY OF GENDER (PB)
ELIZABETH BARRETT BROWNING (PB)
EQUIVOCAL BEINGS (PB)
FASHIONING FEMININITY AND ENGLISH RENAISSANCE DRAMA (PB)
FEEDING THE FAMILY (HB)
FEEDING THE FAMILY (PB)
FEMINIST MORALITY (HB)
FEMINIST MORALITY (PB)
FICTIONS OF SAPPHO, 1546-1937 (HB)
FICTIONS OF SAPPHO, 1546-1937 (PB)
FROM STUDENT TO SCHOLAR (HB)
FROM STUDENT TO SCHOLAR (PB)
HIGHER GROUND (HB)
HIGHER GROUND (PB)
ISAK DINESEN AND THE ENGENDERING OF NARRATIVE (HB)
MANLINESS AND CIVILIZATION (PB)
NUEVAS DIRECCIONES
OGLALA WOMEN (PB)
PLAYING THE OTHER (PB)
POETRY FOR YOUNG PEOPLE: RUDYARD KIPLING (PB)
REASON'S MUSE (HB)
REASON'S MUSE (PB)
REIGN OF VIRTUE (HB)
REIGN OF VIRTUE (PB)
ROYAL REPRESENTATIONS (HB)
ROYAL REPRESENTATIONS (PB)
SMILE OF DISCONTENT (HB)
SPECIAL DELIVERY (HB)
THE HONEST COURTESAN (PB)
THE LADY AND THE VIRGIN (PB)
THE WEAK BODY OF A USELESS WOMAN (HB)
THE WEAK BODY OF A USELESS WOMAN (PB)
VICTORIAN PRISM (HB)
VIRGINIA WOOLF AND THE FICTIONS OF PSYCHOANALYSIS (PB)
WHEN WOMEN ASK THE QUESTIONS (HB)
WHEN WOMEN ASK THE QUESTIONS (PB)
WHERE THE MEANINGS ARE
WHERE THE MEANINGS ARE
WHERE THE MEANINGS ARE
WHERE THE MEANINGS ARE (HB)
WHERE THE MEANINGS ARE (PB)
WHOSE ART IS IT? (HB)
WHOSE ART IS IT? (PB)
WOMEN STRIKE FOR PEACE (HB)
WOMEN STRIKE FOR PEACE (PB)

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