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Item Details
Title: THE PAINTER'S PRACTICE
HOW ARTISTS LIVED AND WORKED IN TRADITIONAL CHINA
By: James Cahill
Format: Paperback

List price: £42.00
Our price: £33.60
Discount:
20% off
You save: £8.40
ISBN 10: 0231081812
ISBN 13: 9780231081818
Availability: Usually dispatched within 1-3 weeks.
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Publisher: COLUMBIA UNIVERSITY PRESS
Pub. date: 30 March, 1995
Pages: 187
Description: In this beautifully illustrated book, Cahill reveals the intricacies of the traditional Chinese painter's life and work, covering such aspects as payment and patronage, in an approach that is largely absent from Asian art history.
Synopsis: In The Painter's Practice, James Cahill reveals the intricacies of the painter's life with respect to payment and patronage--an approach that is still largely absent from the study of East Asian art. Drawing upon such unofficial archival sources as diaries and letters, Cahill challenges the traditional image of the disinterested amateur scholar-artist, unconcerned with material rewards, that has been developed by China's literati, perpetuated in conventional biographies, and abetted by the artists themselves. His work fills in the hitherto unexplored social and economic contexts in which painters worked, revealing the details of how painters in China actually made their living from the sixteenth century onward. Considering the marketplace as well as the studio, Cahill reviews the practices and working conditions of artists outside the Imperial Court such as the employment of assistants and the use of sketchbooks and prints by earlier artists for sources of motifs.As loose, flamboyant brushwork came into vogue, Cahill argues, these highly imitable styles ironically facilitated the forger's task, flooding the market with copies, sometimes commissioned and signed by the artists themselves. In tracing the great shift from seeing the painting as a picture to a concentration on the painter's hand, Cahill challenges the archetype of the scholar-artist and provides an enlightened perspective that profoundly changes the way we interpret familiar paintings.
Illustrations: 117 illus
Publication: US
Imprint: Columbia University Press
Returns: Returnable
Some other items by this author:
ACCURATE TRISECTION AND OTHER IMPOSSIBLE SUBDIVISIONS OF ANGLES (PB)
AN INDEX OF EARLY CHINESE PAINTERS AND PAINTINGS (PB)
ANGUS FAIRHURST
ART GAME
ART, POETRY AND WW1 (PB)
BEAUTY REVEALED - IMAGES OF WOMEN IN QING DYNASTY CHINESE PAINTING (HB)
BLACK PIRATE (PB)
COMPELLING IMAGE (HB)
DAMIEN HIRST (PB)
DAVID HOCKNEY (HB)
FLYING TOO CLOSE TO THE SUN (HB)
FRANCESCO CLEMENTE (PB)
HOMELAND (PB)
MAGGI HAMBLING (HB)
MAGGI HAMBLING (HB)
MAGGI HAMBLING - EDGE (PB)
MAGGI HAMBLING WAR REQUIEM & AFTERMATH (PB)
PICTURES FOR USE AND PLEASURE (HB)
RICHARD PATTERSON - MATTERS OF LIFE AND DEATH (HB)
ROBERT RAUSCHENBERG
ROBERT RAUSCHENBERG (PB)
THE ART GAME
THE BOYS' ALGEBRA
THE DISTANT MOUNTAINS (PB)
THE LYRIC JOURNEY (HB)
THE PRE-RAPHAELITE BROTHERHOOD (PB)
TIEPOLO BLUE (HB)
TIEPOLO BLUE (PB)
UGO RONDINONE (HB)
VIOLET HOUR (HB)
VIOLET HOUR (PB)
WAYS OF BEING (PB)

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