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Item Details
| Title:
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ARTISTS IN THE AUDIENCE
CULTS, CAMP, AND AMERICAN FILM CRITICISM |
| By: |
Greg Taylor |
| Format: |
Paperback |
| List price:
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£35.00 |
| Our price: |
£28.00 |
| Discount: |
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| You save:
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£7.00 |
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| ISBN 10: |
0691089558 |
| ISBN 13: |
9780691089553 |
| Availability: |
Usually dispatched within 1-3 weeks.
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| Stock: |
Currently 0 available |
| Publisher: |
PRINCETON UNIVERSITY PRESS |
| Pub. date: |
6 August, 2001 |
| Pages: |
208 |
| Description: |
A study of American film criticism. It shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a radical modernism than that offered by any other contemporary artists or thinkers. |
| Synopsis: |
Gone with the Wind an inspiration for the American avant-garde? Mickey Mouse a crucial source for the development of cutting-edge intellectual and aesthetic ideas? As Greg Taylor shows in this witty and provocative book, the idea is not so far-fetched. One of the first-ever studies of American film criticism, Artists in the Audience shows that film critics, beginning in the 1940s, turned to the movies as raw material to be molded into a more radical modernism than that offered by any other contemporary artists or thinkers. In doing so, they offered readers a vanguard alternative that reshaped postwar American culture: nonaesthetic mass culture reconceived and refashioned into rich, personally relevant art by the attuned, creative spectator. |
| Illustrations: |
11 halftones |
| Publication: |
US |
| Imprint: |
Princeton University Press |
| Returns: |
Returnable |
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