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Item Details
Title: INVENTING THE BARBARIAN
GREEK SELF-DEFINITION THROUGH TRAGEDY
By: Edith Hall
Format: Paperback

List price: £60.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0198147805
ISBN 13: 9780198147800
Publisher: OXFORD UNIVERSITY PRESS
Pub. date: 11 July, 1991
Series: Oxford Classical Monographs
Pages: 294
Description: The aim of this treatise is to explain the singular fascination ancient Greek tragedians felt for the non-Greek, "barbaric" world. It sets Greek drama against the historical background of the Panhellenic wars with Persia and the establishment of an Athenian empire based on democracy and slavery.
Synopsis: Incest, polygamy, murder, sacrilege, impalement, castration, female power, and despotism: these are some of the images by which the Greek tragedians defined the non-Greek, 'barbarian' world. This book explains for the first time the reasons behind their singular fascination with barbarians. It sets the plays against the historical background of the Panhellenic wars against Persia and the establishment of an Athenian empire based on democracy and slavery. Contemporary anthropology and political philosophy is discussed, revealing how the poets conceptualized the barbarian as the negative embodiment of Athenian civic ideals. By comparing the treatment of foreigners in Homer and tragedy, it shows that the new dimension which the idea of the barbarian had brought to the tragic theatre radically affected the past, and enriched the tragedians' repertoire of aural and visual effects. The invented barbarian of the tragic stage was a powerful cultural expression of Greek xenophobia and chauvinism, but, paradoxically, produced an outburst of creative energy and literary innovation. The D.Phil. dissertation out of which this book developed won the Hellenic Foundation's prize for the best doctoral thesis in ancient Greek studies in the UK and Republic of Ireland (1988).
Publication: UK
Imprint: Clarendon Press
Returns: Non-returnable
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