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Item Details
Title: CONCEPTUAL ART
A CRITICAL ANTHOLOGY
By: Alexander Alberro (Editor), Blake Stimson (Editor)
Format: Paperback

List price: £45.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0262511177
ISBN 13: 9780262511179
Publisher: MIT PRESS LTD
Pub. date: 25 August, 2000
Series: Conceptual Art
Pages: 624
Description: This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement.
Synopsis: Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years -- in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians.This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the movement. It also contains more recent memoirs by participants, as well as critical histories of the period by some of today's leading artists and art historians. Many of the essays and artists' statements have been translated into English specifically for this volume. A good portion of the exchange between artists, critics, and theorists took place in difficult-to-find limited-edition catalogs, small journals, and private correspondence. These influential documents are gathered here for the first time, along with a number of previously unpublished essays and interviews. Contributors Alexander Alberro, Art & Language, Terry Atkinson, Michael Baldwin, Robert Barry, Gregory Battcock, Mel Bochner, Sigmund Bode, Georges Boudaille, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Victor Burgin, Ian Burn, Jack Burnham, Luis Camnitzer, John Chandler, Sarah Charlesworth, Michel Claura, Jean Clay, Michael Corris, Eduardo Costa, Thomas Crow, Hanne Darboven, Raul Escari, Piero Gilardi, Dan Graham, Maria Teresa Gramuglio, Hans Haacke, Charles Harrison, Roberto Jacoby, Mary Kelly, Joseph Kosuth, Max Kozloff, Christine Kozlov, Sol LeWitt, Lucy Lippard, Lee Lozano, Kynaston McShine, Cildo Meireles, Catherine Millet, Olivier Mosset, John Murphy, Helio Oiticica, Michel Parmentier, Adrian Piper, Yvonne Rainer, Mari Carmen Ramirez, Nicolas Rosa, Harold Rosenberg, Martha Rosler, Allan Sekula, Jeanne Siegel, Seth Siegelaub, Terry Smith, Robert Smithson, Athena Tacha Spear, Blake Stimson, Niele Toroni, Mierle Ukeles, Jeff Wall, Rolf Wedewer, Ian Wilson
Publication: US
Imprint: MIT Press
Returns: Returnable
Some other items by this author:
ABSTRACTION IN REVERSE (HB)
ART AFTER CONCEPTUAL ART (PB)
AVANT-GARDE IN THE BLOC (PB)
CITIZEN WARHOL (HB)
COLLECTIVISM AFTER MODERNISM (HB)
COLLECTIVISM AFTER MODERNISM (PB)
CONCEPTUAL ART AND THE POLITICS OF PUBLICITY (HB)
CONCEPTUAL ART AND THE POLITICS OF PUBLICITY (PB)
DAN GRAHAM (PB)
INSTITUTIONAL CRITIQUE (PB)
JOHN MILLER (PB)
JOHN MILLER (PB)
LANDMARK (HB)
LAWRENCE WEINER (PB)
LYGIA PAPE (HB)
MARTA MINUJIN - MINUCODES (PB)
MONICA BONVICINI (PB)
MORE AMERICAN PHOTOGRAPHS (PB)
MUSEUM HIGHLIGHTS (PB)
PARACHUTE (PB)
PARACHUTE (PB)
PATRICK IRELAND (PB)
PIERRE BISMUTH (HB)
RECORDING CONCEPTUAL ART
RECORDING CONCEPTUAL ART (PB)
RENEE GREEN (PB)
ROBERT SMITHSON (HB)
ROBERT SMITHSON (PB)
SOUTH AS A STATE OF MIND (PB)
SOUTH AS A STATE OF MIND (PB)
STAN DOUGLAS: ABBOTT AND CORDOVA, 7 AUGUST 1971
STAN DOUGLAS: ABBOTT AND CORDOVA, 7 AUGUST 1971 (FF)
THE ARTIST AS CURATOR (PB)
THE MEANING OF PHOTOGRAPHY (PB)
THE PIVOT OF THE WORLD (PB)
TRACING CULTURES (PB)
TWO-WAY MIRROR POWER (PB)
VISUAL WORLDS
VISUAL WORLDS
VISUAL WORLDS
VISUAL WORLDS
VISUAL WORLDS
VISUAL WORLDS (HB)
VISUAL WORLDS (PB)
WESTERN RECORDING (PB)
WORKING CONDITIONS (HB)

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