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Item Details
Title: INTERPRETING THE MOVING IMAGE
By: Noel Carroll, William Rothman, Dudley Andrew
Format: Paperback

List price: £32.00
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ISBN 10: 0521589703
ISBN 13: 9780521589703
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Publisher: CAMBRIDGE UNIVERSITY PRESS
Pub. date: 1 April, 1998
Series: Cambridge Studies in Film
Pages: 392
Description: A collection of film essays by the well-respected critic, Noel Carroll.
Synopsis: Interpreting the Moving Image is a collection of essays by one of the most astute critics of cinema at work today. This volume provides a close analysis of major films of both the narrative and the avant-garde traditions. Written in accessible and engaging language, it also serves as a guide to such classics as The Cabinet of Dr Caligari and Citizen Kane, as well as the art of cinema in the post-modern era.
Publication: UK
Imprint: Cambridge University Press
Returns: Returnable
Some other items by this author:
A COMPANION TO FRAN?OIS TRUFFAUT
A COMPANION TO FRAN?OIS TRUFFAUT
A COMPANION TO FRANCOIS TRUFFAUT
A COMPANION TO FRANCOIS TRUFFAUT (HB)
A PHILOSOPHY OF MASS ART (PB)
ANDRE BAZIN (PB)
ANDRE BAZIN'S NEW MEDIA
ANDRE BAZIN'S NEW MEDIA (HB)
ANDRE BAZIN'S NEW MEDIA (PB)
ART IN THREE DIMENSIONS (HB)
ART IN THREE DIMENSIONS (PB)
ART UNALIENATED (HB)
ART UNALIENATED (PB)
BEYOND AESTHETICS
BEYOND AESTHETICS (HB)
BEYOND AESTHETICS (PB)
BREATHLESS (PB)
CAVELL ON FILM (HB)
CAVELL ON FILM (PB)
CELL BIOLOGY, DEVELOPMENT AND MORPHOGENESIS (HB)
COMEDY INCARNATE
COMEDY INCARNATE
COMEDY INCARNATE
COMEDY INCARNATE (HB)
COMEDY INCARNATE (PB)
DOCUMENTARY FILM CLASSICS
DOCUMENTARY FILM CLASSICS (HB)
DOCUMENTARY FILM CLASSICS (PB)
ENGAGING THE MOVING IMAGE (HB)
FREDRIC JAMESON AND FILM THEORY
FREDRIC JAMESON AND FILM THEORY (HB)
FRENCH CINEMA: A VERY SHORT INTRODUCTION
HITCHCOCK (HB)
HITCHCOCK (HB)
HITCHCOCK (PB)
HOLIDAY IN HIS EYE
HOLIDAY IN HIS EYE (HB)
HORROR FILM AND PSYCHOANALYSIS (HB)
HUMOUR: A VERY SHORT INTRODUCTION (PB)
IF ONLY (HB)
IF ONLY (PB)
INSIDE SOVIET FILM SATIRE (PB)
INTERPRETING THE MOVING IMAGE
INTERPRETING THE MOVING IMAGE (HB)
JOHN HUSTON'S FILMMAKING (PB)
LOOKING WITH ROBERT GARDNER (HB)
LOOKING WITH ROBERT GARDNER (PB)
MELODRAMA AND ASIAN CINEMA (HB)
MELODRAMA AND ASIAN CINEMA (PB)
MINERVA'S NIGHT OUT
MINERVA'S NIGHT OUT
MINERVA'S NIGHT OUT
MINERVA'S NIGHT OUT (HB)
MINERVA'S NIGHT OUT (PB)
MISTS OF REGRET (PB)
MUST WE KILL THE THING WE LOVE?
MUST WE KILL THE THING WE LOVE? (HB)
MUST WE KILL THE THING WE LOVE? (PB)
NARRATIVE, EMOTION, AND INSIGHT (HB)
NARRATIVE, EMOTION, AND INSIGHT (PB)
ON CRITICISM
ON CRITICISM
ON CRITICISM
ON CRITICISM
ON CRITICISM
ON CRITICISM
ON CRITICISM (HB)
ON CRITICISM (PB)
OPENING BAZIN (HB)
OPENING BAZIN (PB)
PHILOSOPHY IN THE TWILIGHT ZONE
PHILOSOPHY IN THE TWILIGHT ZONE
PHILOSOPHY IN THE TWILIGHT ZONE (HB)
PHILOSOPHY IN THE TWILIGHT ZONE (PB)
PHILOSOPHY OF ART
PHILOSOPHY OF ART
PHILOSOPHY OF ART
PHILOSOPHY OF ART
PHILOSOPHY OF ART
PHILOSOPHY OF ART (HB)
PHILOSOPHY OF ART (PB)
PHILOSOPHY OF FILM AND MOTION PICTURES
PHILOSOPHY OF LITERATURE (HB)
PHILOSOPHY OF LITERATURE (PB)
PHILOSOPHY OF LITERATURE, AND PHILOSOPHY OF FILM AND MOTION PICTURES, 2 BOOK PACK (PB)
POPULAR FRONT PARIS AND THE POETICS OF CULTURE (PB)
POST-THEORY (PB)
PROJECTING ILLUSION (PB)
READING CAVELL'S "THE WORLD VIEWED" (HB)
READING CAVELL'S "THE WORLD VIEWED" (PB)
ROLAND BARTHES' CINEMA (HB)
ROLAND BARTHES' CINEMA (PB)
ROUTLEDGE COMPANION TO THE PHILOSOPHIES OF PAINTING AND SCULPTURE
ROUTLEDGE COMPANION TO THE PHILOSOPHIES OF PAINTING AND SCULPTURE (HB)
SANSHO DAYU (SANSHO THE BAILIFF) (PB)
SANSHO DAYU SANSHO THE BAILIFF
SERVICE SCIENCE
SPORT IN IRELAND (PB)
THE "I" OF THE CAMERA (HB)
THE "I" OF THE CAMERA (PB)
THE 'I' OF THE CAMERA
THE AESTHETICS, POETICS, AND PHILOSOPHY OF NARRATIVE (PB)
THE BRITISH DOCUMENTARY FILM MOVEMENT, 1926-1946 (HB)
THE CINEMA OF SATYAJIT RAY (HB)
THE CINEMA OF SATYAJIT RAY (PB)
THE GORGON'S GAZE (HB)
THE IMAGE IN DISPUTE (PB)
THE PHILOSOPHY OF FILM AND MOTION PICTURES (HB)
THE PHILOSOPHY OF FILM AND MOTION PICTURES (PB)
THE PHILOSOPHY OF HORROR
THE PHILOSOPHY OF HORROR
THE PHILOSOPHY OF HORROR
THE PHILOSOPHY OF HORROR
THE PHILOSOPHY OF HORROR
THE PHILOSOPHY OF HORROR (HB)
THE PHILOSOPHY OF HORROR (PB)
THE PHILOSOPHY OF MOTION PICTURES (HB)
THE PHILOSOPHY OF MOTION PICTURES (PB)
THE ROUTLEDGE COMPANION TO PHILOSOPHY OF LITERATURE
THE ROUTLEDGE COMPANION TO PHILOSOPHY OF LITERATURE
THE ROUTLEDGE COMPANION TO PHILOSOPHY OF LITERATURE
THE ROUTLEDGE COMPANION TO PHILOSOPHY OF LITERATURE (HB)
THE TASTE FOR BEAUTY (PB)
THEORIES OF ART TODAY (PB)
THEORIZING THE MOVING IMAGE
THEORIZING THE MOVING IMAGE (HB)
THEORIZING THE MOVING IMAGE (PB)
THREE DOCUMENTARY FILMMAKERS (HB)
THREE DOCUMENTARY FILMMAKERS (PB)
TUITIONS AND INTUITIONS
WHAT CINEMA IS (HB)
WHAT CINEMA IS (PB)
WHAT CINEMA IS!
WHAT CINEMA IS!
WHAT CINEMA IS!
WHAT CINEMA IS!
WHAT IS CINEMA? (PB)

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