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Item Details
| Title:
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UNSUNG VOICES
OPERA AND MUSICAL NARRATIVE IN THE NINETEENTH CENTURY |
| By: |
Carolyn Abbate |
| Format: |
Hardback |
| List price:
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£43.00 |
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We currently do not stock this item, please contact the publisher directly for
further information.
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| ISBN 10: |
0691091404 |
| ISBN 13: |
9780691091402 |
| Publisher: |
PRINCETON UNIVERSITY PRESS |
| Pub. date: |
21 April, 1991 |
| Series: |
Princeton Studies in Opera |
| Pages: |
304 |
| Synopsis: |
Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. |
| Illustrations: |
music |
| Publication: |
US |
| Imprint: |
Princeton University Press |
| Returns: |
Non-returnable |
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