(RE)PRODUCTIONS (HB)

FACETS OF A PRINCESS (HB)

FRENCH-SPEAKING WOMEN DOCUMENTARIANS (HB)

HOELDERLIN AND BLANCHOT ON SELF-SACRIFICE (HB)

IDENTIDADES MATERNACIONALES EN EL INE DE MARIA NOVARO (HB)

ILLEGITIMATE CHILDREN OF THE ENLIGHTENMENT (HB)

LEPANTO (HB)

LEPANTO (PB)

LOCATING LATIN AMERICAN WOMEN WRITERS (PB)

LYOTARD, BECKETT, DURAS, AND THE POSTMODERN SUBLIME (HB)

MADAME DE LA FAYETTE'S "THE PRINCESS OF CLEVES" (PB)

MAUPASSANT'S FICTION AND THE DARWINIAN VIEW OF LIFE (HB)

NARRATIVE AND THE NATURE OF WORLDVIEW IN THE CLARE SAVAGE NOVELS OF MICHELLE CLIFF (HB)

NEREA AND I (HB)

PROSPER MERIMEE (PB)

REWRITING REWRITING (HB)

SADE IN HIS OWN NAME (HB)

STAGING SUBVERSIONS (HB)

SUIVEZ LA PISTE (PB)

THE FIGURE OF LOUIS XIII IN MODERN FRENCH LITERATURE (HB)

THE FRANCOPHONE AFRICAN TEXT (HB)

THE FRANCOPHONE WORLD (PB)

THE MARTYRS OF ANAHUAC (HB)

THE POET IN SOCIETY (HB)

THE RISE OF PSEUDO-HISTORICAL FICTION (HB)

TOUCHING GOD (HB)

TRAVEL NARRATIVES IN DIALOGUE (HB)

WHAT WOMEN LOSE (PB)