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Item Details
Title: TONY HARRISON AND THE HOLOCAUST
By: Antony Rowland
Format: Hardback

List price: £80.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0853235066
ISBN 13: 9780853235064
Publisher: LIVERPOOL UNIVERSITY PRESS
Pub. date: 1 June, 2001
Series: Liverpool English Texts and Studies 39
Pages: 336
Description: Argues that Tony Harrison's poetry is barbaric. This book discusses the ways in which Holocaust literature engages with a number of concepts challenged or altered by the historical events, such as love, mourning, memory, humanism, culture and barbarism, articulacy and silence.
Synopsis: This book argues that Tony Harrison's poetry is barbaric. It revisits one of the most misquoted passages of twentieth-century philosophy: Theodor Adorno's apparent dismissal of post-Holocaust poetry as `impossible' or `barbaric'. His statement is reinterpreted as opening up the possibility that the awkward and embarrassing poetics of writers such as Harrison might be re-evaluated as committed responses to the worst horrors of twentieth-century history. Most of the existing critical work on Harrison focuses on his representation of class, which occludes his interest in other aspects of historiography. The poet's predilection for establishing links between the atrocities perpetrated by the Nazis, the bombing of Hiroshima and Nagasaki, and the prospect of global annihilation is examined as a commitment to oppose the dangers of linguistic silence. Hence Harrison's work can be read fruitfully within the growing field of Holocaust Studies: his texts enter into arguments about the ethics of representing traumatic incidents that still haunt the contemporary. Harrison's status as a `non-victim' author of the events is stressed throughout. His writing of the Holocaust, allied bombings and atom bomb is mediated by his reception of the events through newsreels as a child, and his adoption and subversion, as an adult poet, of traditional poetic forms such as the elegy and sonnet. This book also discusses the ways in which Holocaust literature engages with a number of concepts challenged or altered by the historical events, such as love, mourning, memory, humanism, culture and barbarism, articulacy and silence.
Publication: UK
Imprint: Liverpool University Press
Returns: Returnable
Some other items by this author:
BIRKENAU (PB)
CALDEBROC
HOLOCAUST POETRY (HB)
HOLOCAUST POETRY (PB)
I AM A MAGENTA STICK (HB)
M (HB)
M (PB)
METAMODERNISM AND CONTEMPORARY BRITISH POETRY
METAMODERNISM AND CONTEMPORARY BRITISH POETRY (HB)
MOURNING AND ANNIHILATION IN TONY HARRISON'S "SCHOOL OF ELOQUENCE" SEQUENCE (PB)
PERFORMING MASCULINITY
PERFORMING MASCULINITY (HB)
POETRY AS TESTIMONY
POETRY AS TESTIMONY
POETRY AS TESTIMONY
POETRY AS TESTIMONY
POETRY AS TESTIMONY (HB)
SIGNS OF MASCULINITY (HB)
SIGNS OF MASCULINITY (PB)
THE FUTURE OF MEMORY (HB)
THE FUTURE OF MEMORY (PB)
THE FUTURE OF TESTIMONY
THE FUTURE OF TESTIMONY
THE FUTURE OF TESTIMONY
THE FUTURE OF TESTIMONY (HB)
THE LAND OF GREEN GINGER
THE LAND OF GREEN GINGER (HB)
THE POETRY OF CAROL ANN DUFFY (HB)
THE POETRY OF CAROL ANN DUFFY (PB)
TONY HARRISON AND THE HOLOCAUST
TONY HARRISON AND THE HOLOCAUST (PB)

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