ALMIGHTY AND EVERLASTING GOD

ASCENDIT DEUS

AUTHENTICITY IN PERFORMANCE: EIGHTEENTH-CENTURY CASE STUDIES (HB)

AUTHENTICITY IN PERFORMANCE: EIGHTEENTH-CENTURY CASE STUDIES (PB)

EVENING SERVICE (MAGNIFICAT AND NUNC DIMITTIS)

GREEK MUSICAL WRITINGS: VOLUME 1, THE MUSICIAN AND HIS ART (PB)

GREEK MUSICAL WRITINGS: VOLUME 2, HARMONIC AND ACOUSTIC THEORY (PB)

HAEC DIES

HARVARD BRIEF DICTIONARY OF MUSIC (PB)

IF YE LOVE ME

IN IEIUNIO ET FLETU

MUSIC ANALYSIS IN THE NINETEENTH CENTURY: VOLUME 1, FUGUE, FORM AND STYLE (PB)

MUSIC ANALYSIS IN THE NINETEENTH CENTURY: VOLUME 2, HERMENEUTIC APPROACHES (PB)

MUSIC AND AESTHETICS IN THE EIGHTEENTH AND EARLY NINETEENTH CENTURIES (HB)

MUSIC AND AESTHETICS IN THE EIGHTEENTH AND EARLY NINETEENTH CENTURIES (PB)

MUSIC AND THE REFORMATION IN ENGLAND 1549-1660 (HB)

MUSIC AND THE REFORMATION IN ENGLAND 1549-1660 (PB)

MUSIC IN EARLY CHRISTIAN LITERATURE (PB)

MUSICA BRITANNICA (PB)

O YE LITTLE FLOCK

REJOICE IN THE LORD ALWAY

THE HARVARD BRIEF DICTIONARY OF MUSIC

THE TREASURY OF ENGLISH CHURCH MUSIC 1545 - 1650 (PB)

THIS IS THE RECORD OF JOHN

TREASURY OF ENGLISH CHURCH MUSIC 1545-1650 (HB)