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Item Details
Title: DIGITAL HUMANITIES AND THE LOST DRAMA OF EARLY MODERN ENGLAND
TEN CASE STUDIES
By: Matthew Steggle
Format: Electronic book text

List price: £34.99


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ISBN 10: 1317150775
ISBN 13: 9781317150770
Publisher: TAYLOR & FRANCIS LTD
Pub. date: 22 April, 2016
Series: Studies in Performance and Early Modern Drama
Pages: 212
Synopsis: This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays' authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it is argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern commercial theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies.
Publication: UK
Imprint: Routledge
Returns: Non-returnable
Some other items by this author:
DIGITAL HUMANITIES AND THE LOST DRAMA OF EARLY MODERN ENGLAND
DIGITAL HUMANITIES AND THE LOST DRAMA OF EARLY MODERN ENGLAND
DIGITAL HUMANITIES AND THE LOST DRAMA OF EARLY MODERN ENGLAND
DIGITAL HUMANITIES AND THE LOST DRAMA OF EARLY MODERN ENGLAND
DIGITAL HUMANITIES AND THE LOST DRAMA OF EARLY MODERN ENGLAND
DIGITAL HUMANITIES AND THE LOST DRAMA OF EARLY MODERN ENGLAND (HB)
LAUGHING AND WEEPING IN EARLY MODERN THEATRES
LAUGHING AND WEEPING IN EARLY MODERN THEATRES
LAUGHING AND WEEPING IN EARLY MODERN THEATRES
LAUGHING AND WEEPING IN EARLY MODERN THEATRES (HB)
LAUGHING AND WEEPING IN EARLY MODERN THEATRES (PB)
LOST PLAYS IN SHAKESPEARE'S ENGLAND
LOST PLAYS IN SHAKESPEARE'S ENGLAND (HB)
LOST PLAYS IN SHAKESPEARE'S ENGLAND (PB)
RENAISSANCE LITERATURE AND CULTURE
RENAISSANCE LITERATURE AND CULTURE (HB)
RENAISSANCE LITERATURE AND CULTURE (PB)
RICHARD BROME (HB)
SPEED AND FLIGHT IN SHAKESPEARE (HB)
VOLPONE
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VOLPONE (HB)
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