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Item Details
Title: VOICING GENDER
CASTRATI, TRAVESTI, AND THE SECOND WOMAN IN EARLY-NINETEENTH-CENTURY ITALIAN OPERA
By: Naomi Andre, Steven G. Smith
Format: Book

List price: £19.99
Our price: £16.99
Discount:
15% off
You save: £3.00
ISBN 10: 025321789X
ISBN 13: 9780253217899
Availability: Usually dispatched within 3-5 days.
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Stock: Currently 2 available
Publisher: INDIANA UNIVERSITY PRESS
Pub. date: 13 February, 2006
Series: Musical Meaning and Interpretation
Pages: 248
Description: The early 19th century was a period of acute transition in operatic tradition and style, when time-honoured practices gave way to the developing aesthetics of Romanticism, and the heroic, the masculine, and the feminine were profoundly reconfigured. This book traces the development of female characters in these first decades of the century.
Synopsis: The early 19th century was a period of acute transition in operatic tradition and style, when time-honored practices gave way to the developing aesthetics of Romanticism, the rise of the tenor overtook the falling stars of the castrati, and the heroic, the masculine, and the feminine were profoundly reconfigured. These transformations resounded in operatic plot structures as well; the happy resolution of the 18th century twisted into a tragic 19th-century finale with the death of the helpless and innocent heroine-and frequently her tenor hero along with her. Female voices which formerly had sung en travesti, or basically in male drag, opposite their female character counterparts then took on roles of the second woman, a companion and foil to the death-bound heroine rather than her romantic partner. In Voicing Gender, Naomi Andre skillfully traces the development of female characters in these first decades of the century, weaving in and around these changes in voicings and plot lines, to define an emergent legacy in operatic roles.
Publication: US
Imprint: Indiana University Press
Returns: Returnable
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