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Item Details
| Title:
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REALIZING THE WITCH
SCIENCE, CINEMA, AND THE MASTERY OF THE INVISIBLE |
| By: |
Richard Baxstrom, Todd Meyers |
| Format: |
Paperback |
| List price:
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£25.99 |
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We currently do not stock this item, please contact the publisher directly for
further information.
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| ISBN 10: |
082326825X |
| ISBN 13: |
9780823268252 |
| Publisher: |
FORDHAM UNIVERSITY PRESS |
| Pub. date: |
2 November, 2015 |
| Series: |
Forms of Living |
| Pages: |
296 |
| Description: |
Realizing the Witch follows the unfolding of Benjamin Christensen's visual narrative in his 1922 film, Haxan (The Witch). Through a close reading of Haxan, Baxstrom and Meyers examine the study of witchcraft from historical and anthropological perspectives, as well as the intersection of popular culture, artistic expression and scientific ideas. |
| Synopsis: |
Benjamin Christensen's Haxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Haxan creatively blends spectacle and argument toprovoke a humanist re-evaluation of witchcraft in European history as well as the contemporary treatment of female "hysterics" and the mentally ill.In Realizing the Witch, Baxstrom and Meyers show how Haxan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. Haxan is a film that travels along the winding path of art and science rather than between the narrow division of "documentary" and "fiction." Baxstrom and Meyers reveal how Christensen's attempt to tame the irrationality of "the witch" risked validating the very "nonsense" thatsuch an effort sought to master and dispel. Haxan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe. Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot provebut nevertheless "know" to be there. |
| Illustrations: |
64 Illustrations, black and white |
| Publication: |
US |
| Imprint: |
Fordham University Press |
| Returns: |
Returnable |
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