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Item Details
Title:
'FILM EUROPE' AND 'FILM AMERICA'
CINEMA, COMMERCE AND CULTURAL EXCHANGE 1920-1939
By:
Andrew Higson (Editor), Richard Maltby (Editor)
Format:
Paperback
List price:
£25.00
Our price:
£22.50
Discount:
10
% off
You save:
£2.50
ISBN 10:
0859895467
ISBN 13:
9780859895460
Availability:
Usually dispatched within 1-3 weeks.
Delivery rates
Stock:
Currently
0
available
Publisher:
UNIVERSITY OF EXETER PRESS
Pub. date:
1 January, 1999
Series:
Exeter Studies in Film History
Pages:
406
Description:
A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony.
Synopsis:
Winner of the 2000 Prix Jean Mitry. A volume of specially-commissioned essays dealing with the attempts to create a pan-European film production movement in the 1920s and 1930s, and the reactions of the American film industry to these plans to rival its hegemony. The book has an impressive array of top scholars from both America and Europe, including Thomas Elsaesser, Kristin Thompson and Ginette Vincendeau, as well as essays by some younger scholars who have recently completed new archival research. It also includes a number of primary documents selected by the contributors to illuminate their arguments and provide a stimulus to further research.This book is a volume in the series Exeter Studies in Film History, and represents a major contribution to cinema scholarship as well as reflecting a strong interest in an area of study currently being developed in university departments and at the British Film Institute.Winner Prix Jean Mitry 2000
Publication:
UK
Imprint:
University of Exeter Press
Returns:
Returnable
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'FILM EUROPE' AND 'FILM AMERICA' (HB)
ALTERNATIVE FILM CULTURE IN INTERWAR BRITAIN (HB)
BRITISH CINEMA, PAST AND PRESENT
BRITISH CINEMA, PAST AND PRESENT
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CINEMA AUDIENCES AND MODERNITY (HB)
CINEMA AUDIENCES AND MODERNITY (PB)
CORPORATE FINANCIAL REPORTING
CORPORATE FINANCIAL REPORTING (HB)
CORPORATE FINANCIAL REPORTING (PB)
DECODING THE MOVIES (HB)
DISSOLVING VIEWS
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ENGLISH HERITAGE, ENGLISH CINEMA (HB)
ENGLISH HERITAGE, ENGLISH CINEMA (PB)
EUROPEAN CINEMA AND TELEVISION
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EXPLORATIONS IN NEW CINEMA HISTORY
EXPLORATIONS IN NEW CINEMA HISTORY
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EXPLORATIONS IN NEW CINEMA HISTORY (PB)
FILM ENGLAND (HB)
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GOING TO THE MOVIES
GOING TO THE MOVIES (HB)
GOING TO THE MOVIES (PB)
HARMLESS ENTERTAINMENT (HB)
HOLLYWOOD ABROAD: AUDIENCES AND CULTURAL EXCHANGE (HB)
HOLLYWOOD ABROAD: AUDIENCES AND CULTURAL EXCHANGE (PB)
HOLLYWOOD CINEMA 2E (PB)
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IDENTIFYING HOLLYWOOD'S AUDIENCES: CULTURAL IDENTITY AND THE MOVIES (HB)
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MISS POTTER (PB)
MULTIMEDIA HISTORIES (HB)
NEW CINEMA HISTORY (HB)
NEW CINEMA HISTORY (PB)
POTENTIALLY DYSFUNCTIONAL IMPACTS OF HARMONISING ACCOUNTING STANDARDS (PB)
RACIAL, ETHNIC, AND HOMOPHOBIC VIOLENCE
RACIAL, ETHNIC, AND HOMOPHOBIC VIOLENCE
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YOUNG AND INNOCENT? (HB)
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