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Item Details
Title: TEN WAYS OF THINKING ABOUT SAMUEL BECKETT
THE FALSETTO OF REASON
By: Enoch Brater
Format: Paperback

List price: £24.99
Our price: £21.87
Discount:
12.5% off
You save: £3.12
ISBN 10: 1408137224
ISBN 13: 9781408137222
Availability: Usually dispatched within 1-3 weeks.
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Publisher: BLOOMSBURY PUBLISHING PLC
Pub. date: 24 April, 2011
Series: Diaries, Letters and Essays
Pages: 208
Description: In this volume of essays addressing the author's drama, novels, short stories and poetry, renowned Beckett scholar Enoch Brater offers a variety of delightfully original, playful and intriguing studies of Beckett's work. For theatre audiences and Beckett readers it will provide a fresh approach to this great writer.
Synopsis: Beckett is acknowledged as one of the greatest playwrights and most innovative fiction writers of the twentieth century with an international appeal that bridges both general and more specialist readers. This collection of essays by renowned Beckett scholar Enoch Brater offers a delightfully original, playful and intriguing series of approaches to Beckett's drama, fiction and poetry. Beginning with a chapter entitled 'Things to Ponder While Waiting for Godot', each essay deftly illuminates aspects of Beckett's thinking and craft, making astute and often surprising discoveries along the way. In a series of beguiling discussions such as 'From Dada to Didi: Beckett and the Art of His Century', 'Beckett's Devious Interventions, or Fun with Cube Roots' and 'The Seated Figure on Beckett's Stage', Brater proves the perfect companion and commentator on Beckett's work, helping readers to approach it with fresh eyes and a renewed sense of the author's unique aesthetic. 'An eloquent, witty and erudite collection of essays that illuminates Beckett's drama and prose fiction from a number of complementary perspectives.Brater's precise explication of the interwoven tropes of language and mise-en-scene is combined with a fine grasp of the overarching structure of work ...to create a rich and suggestive series of reflections on Beckett's aesthetics.' - Robert Gordon, Professor of Drama, Goldsmiths, University of London
Illustrations: N/A
Publication: UK
Imprint: Methuen Drama
Returns: Returnable
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ADAPTATION IN CONTEMPORARY THEATRE (HB)
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AROUND THE ABSURD (PB)
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AUTHENTICITY IN CONTEMPORARY THEATRE AND PERFORMANCE
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BEAT DRAMA
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BEAT DRAMA (HB)
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HOWARD BARKER'S THEATRE: WRESTLING WITH CATASTROPHE (PB)
RUTH MALECZECH AT MABOU MINES
RUTH MALECZECH AT MABOU MINES
RUTH MALECZECH AT MABOU MINES (HB)
RUTH MALECZECH AT MABOU MINES (PB)
SOCIAL AND POLITICAL THEATRE IN 21ST-CENTURY BRITAIN
SOCIAL AND POLITICAL THEATRE IN 21ST-CENTURY BRITAIN
SOCIAL AND POLITICAL THEATRE IN 21ST-CENTURY BRITAIN (HB)
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TEN WAYS OF THINKING ABOUT SAMUEL BECKETT
TEN WAYS OF THINKING ABOUT SAMUEL BECKETT
THE CONTEMPORARY AMERICAN MONOLOGUE
THE CONTEMPORARY AMERICAN MONOLOGUE
THE CONTEMPORARY AMERICAN MONOLOGUE (HB)
THE CONTEMPORARY AMERICAN MONOLOGUE (PB)
THE DRAMA IN THE TEXT (HB)
THE ESSENTIAL SAMUEL BECKETT (PB)
THE THEATRE (PB)
THE THEATRE (PB)
THE THEATRE OF REAL PEOPLE (HB)
THE THEATRE OF REAL PEOPLE (PB)
THE THEATRICAL GAMUT (HB)
WATCHING WAR ON THE TWENTY-FIRST CENTURY STAGE
WATCHING WAR ON THE TWENTY-FIRST CENTURY STAGE
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WHY BECKETT (HB)

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