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Item Details
| Title:
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THE PARADIGM CASE
THE CINEMA OF HITCHCOCK AND THE CONTEMPORARY VISUAL ARTS |
| By: |
Bernard McCarron |
| Format: |
Paperback |
| List price:
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£64.55 |
| Our price: |
£58.10 |
| Discount: |
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| You save:
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£6.45 |
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| ISBN 10: |
3034317808 |
| ISBN 13: |
9783034317801 |
| Availability: |
This item will be printed on demand and will usually be dispatched within 10 days.
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| Stock: |
Currently 0 available |
| Publisher: |
PETER LANG AG, INTERNATIONALER VERLAG DER WISSENSCHAFTEN |
| Pub. date: |
29 September, 2015 |
| Series: |
Cultural Interactions: Studies in the Relationship between the Arts 36 |
| Pages: |
312 |
| Description: |
With the migration of cinema into the art gallery, artists have been increasingly turning to Alfred Hitchcock's classic films for inspiration. Focusing on the work of five artist-filmmakers, this book considers how Hitchcockian images, sequences and iconography are reconfigured and reimagined for the art gallery. |
| Synopsis: |
With the migration of cinema into the art gallery, artists have been turning, with remarkable regularity and ingenuity, to Alfred Hitchcock-related images, sequences and iconography. The world of Hitchcock's cinema - a classical cinema of formal unities and narrative coherence - represents more than the spectre of a supposedly dead art form: it transcends its own filmic and institutional contexts, becoming an important audio-visual lexicon of desire, loss, mystery and suspense. Through a detailed study of the Hitchcock-related work of artist-filmmakers Matthias Muller and Christoph Girardet, Johan Grimonprez, Pierre Huyghe, Douglas Gordon and Atom Egoyan, this book facilitates a dialogue between the creative appropriation of Hitchcock's films and the cinematic practices that increasingly inform the wider field of the contemporary visual arts. Each chapter is structured around a consideration of how the artwork in question has reconfigured or `remade' key Hitchcockian expressive elements and motifs - in particular, the relationship between mise en scene and the mechanics of suspense, time, memory, history and death. In a career that extended across silent and sound eras as well as the British, European and Hollywood industries, Hitchcock's film ÷uvre can be seen as a history of the cinema itself. As the work of these contemporary artist-filmmakers shows, it was also a history of the future, a paradigm case par excellence. |
| Publication: |
Switzerland |
| Imprint: |
Peter Lang AG, Internationaler Verlag der Wissenschaften |
| Returns: |
Returnable |
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