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Item Details
Title: COMPOSERS AT WORK
THE CRAFT OF MUSICAL COMPOSITION 1450-1600
By: Professor Jessie Ann Owens
Format: Paperback

List price: £26.49


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0195129040
ISBN 13: 9780195129045
Publisher: OXFORD UNIVERSITY PRESS INC
Pub. date: 1 July, 1997
Pages: 368
Description: Composers at Work is the first comprehensive and systematic study of compositional process in Renaissance music. Owens draws on documentary, manuscript, and theoretical evidence to construct a striking new explanation of how composers actually worked. Through a study of autograph sketches, drafts, and fair copies of composers such as Henricus Isaac, Cipriano de Rore, Francesco Corteccia, and Giovanni Pierluigi da Palestrina, Owens reveals a process ofworking in separate parts, line by line, and not in full score, as in our modern editions. This discovery has major implications for the analysis, editorial interpretation, and performance of early music.
Synopsis: Composers at Work discusses a problem that has fascinated scholars for a long time: how did Renaissance composers write their complex vocal polyphony? Twentieth-century scholars are so accustomed to scoring music, carefully lining up the vertical simultaneities, and carefully aligning the bar lines in order to study and perform music, that the idea that a composer could create elaborate polyphony, even in eight parts, without the aid of a score, seems incomprehensible. How then did sixteenth-century composers write their music, and what evidence exists to document this compositional process? Using sketches and other documentary evidence, long a matter of intense study in later centuries, Professor Owens' study is the first full-length investigation of the topic in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.
Illustrations: numerous halftones, music examples, tables
Publication: US
Imprint: Oxford University Press Inc
Returns: Non-returnable
Some other items by this author:
'THE TEMPLE OF MUSIC' BY ROBERT FLUDD (HB)
A BRIEFE AND SHORT INSTRUCTION OF THE ART OF MUSICKE BY ELWAY BEVIN (HB)
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A NEW WAY OF MAKING FOWRE PARTS IN COUNTERPOINT BY THOMAS CAMPION (HB)
ALFONSO DALLA VIOLA IL (HB)
CHARLES BUTLER'S PRINCIPLES OF MUSICK (1636) (HB)
CLAUDIO MERULO (HB)
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DOMENICO FERRABOSCO, IL PRIMO LIBRO DE MADRIGALI A QUATRO VOCI (VENICE, 1542)
DOMENICO FERRABOSCO, IL PRIMO LIBRO DE MADRIGALI A QUATRO VOCI (VENICE, 1542)
DOMENICO FERRABOSCO, IL PRIMO LIBRO DE MADRIGALI A QUATRO VOCI (VENICE, 1542)
DOMENICO FERRABOSCO, IL PRIMO LIBRO DE MADRIGALI A QUATRO VOCI (VENICE, 1542) (HB)
FRANCESCO DALLA VIOLA (HB)
FRANCESCO MANARA
FRANCESCO MANARA
FRANCESCO MANARA
FRANCESCO MANARA (HB)
FRANCESCO ORSO (HB)
GIACHET DE BERCHEM (HB)
HOSTE DA REGGIO PRIMO (HB)
IL SECONDO LIBRO DELLI MADRIGALI A QUATTRO VOCE (VENICE, 1554) (HB)
IL TERZO LIBRO DE MADREGALI A CINQUE ET A SEI VOCI (HB)
JAN NASCO (HB)
JAN NASCO (HB)
JOHN BIRCHENSHA (HB)
JOHN WALLIS (HB)
MADRIGALI A CINQUE VOCI (HB)
MADRIGALI A CINQUE VOCI - LIBRO PRIMO ([PADUA], 1547) (HB)
PHILIPPE VERDELOT (HB)
PHILIPPE VERDELOT (HB)
PIETRO TAGLIA (HB)
READING MORLEY'S PLAINE AND EASIE INTRODUCTION: INTERPRETATION AND CONTEXT (HB)
SYNOPSIS OF VOCAL MUSICK BY A.B. PHILO-MUS. (HB)
THE MUSIC TREATISES OF THOMAS RAVENSCROFT (HB)
THOMAS MORLEY'S PLAINE AND EASIE INTRODUCTION TO PRACTICALL MUSICKE (HB)
THOMAS MORLEY: A PLAINE AND EASIE INTRODUCTION TO PRACTICALL MUSICK (1597) (HB)
THOMAS SALMON (HB)
THOMAS SALMON (HB)
THOMAS SALMON: WRITINGS ON MUSIC
VINCENZO RUFFO (C. 1508-1587) (HB)
VINCENZO RUFFO (C. 1508-1587) (HB)

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