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Item Details
Title: MUSIC, IMAGINATION, AND CULTURE
By: Nicholas Cook
Format: Paperback

List price: £93.00
Our price: £90.21
Discount:
3% off
You save: £2.79
ISBN 10: 0198163037
ISBN 13: 9780198163039
Availability: Usually dispatched within 1-3 weeks.
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Publisher: OXFORD UNIVERSITY PRESS
Pub. date: 23 January, 1992
Series: Clarendon Paperbacks
Pages: 272
Description: It is a common experience that words are inadequate for music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, this study attempts to make a clear distinction between the province of music theory and that of aesthetic criticism.
Synopsis: It is a common experience that words are inadequate for music; there seems always to be a disparity between how music is experienced, and how it is described or rationalized. This book is a study of musical imagination. Musicians imagine music by means of functional models which determine certain aspects of the music while leaving others open. This means that there is inevitably a gap between the image and the experience that it models, and this gap can be a source of compositional creativity. Different musical cultures embody different ways of imagining sound as music, and thus every culture creates its own distinctive pattern of discrepancies between image and experience - discrepancies which are reflected in theoretical thinking about music. Drawing on psychological and philosophical materials as well as the analysis of specific musical examples, Nicholas Cook makes a clear distinction between the province of music theory and that of aesthetic criticism. In doing so he affirms the importance of the 'ordinary listener' in musical culture, and the validity of his or her experience of music.
Illustrations: music examples
Publication: UK
Imprint: Clarendon Press
Returns: Returnable
Some other items by this author:
"MUSIC, PERFORMANCE, MEANING "
"MUSIC, PERFORMANCE, MEANING "
"MUSIC, PERFORMANCE, MEANING "
A GUIDE TO MUSICAL ANALYSIS (PB)
A GUIDE TO MUSICAL ANALYSIS (PB)
ANALYSING MUSICAL MULTIMEDIA (PB)
BEETHOVEN
BEETHOVEN (HB)
BEETHOVEN (PB)
BEYOND THE SCORE (HB)
DESIGNERS' GUIDE TO EN 1991-1.4 EUROCODE 1: ACTIONS ON STRUCTURES ( WIND ACTIONS) (HB)
EMPIRICAL MUSICOLOGY (HB)
EMPIRICAL MUSICOLOGY (PB)
MUSIC AS CREATIVE PRACTICE (HB)
MUSIC, ENCOUNTER, TOGETHERNESS (HB)
MUSIC, PERFORMANCE, MEANING (HB)
MUSIC: A VERY SHORT INTRODUCTION (PB)
RETHINKING MUSIC (PB)
TAKING IT TO THE BRIDGE (HB)
TAKING IT TO THE BRIDGE (PB)
THE CAMBRIDGE COMPANION TO RECORDED MUSIC
THE CAMBRIDGE COMPANION TO RECORDED MUSIC (HB)
THE CAMBRIDGE COMPANION TO RECORDED MUSIC (PB)
THE CAMBRIDGE HISTORY OF TWENTIETH-CENTURY MUSIC (HB)
THE CAMBRIDGE HISTORY OF TWENTIETH-CENTURY MUSIC (PB)
THE SCHENKER PROJECT (HB)
THE SCHENKER PROJECT (PB)
THEORY INTO PRACTICE

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