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Item Details
Title: SHAKESPEARE AND THE VICTORIANS
By: Stuart Sillars
Format: Hardback

List price: £94.00
Our price: £82.25
Discount:
12.5% off
You save: £11.75
ISBN 10: 0199668078
ISBN 13: 9780199668076
Availability: Usually dispatched within 1-3 weeks.
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Publisher: OXFORD UNIVERSITY PRESS
Series: Oxford Shakespeare Topics
Pages: 232
Description: Shakespeare and the Victorians explores the place of Shakespeare in Victorian culture, and shows how the plays and the man became central to all levels of Victorian life and thought.
Synopsis: OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. The book shows how the reception and remodelling of the works and the man directed the Victorian construction of identity, personal, national and aesthetic, as well as laying foundations that later Shakespeareans could continue, extend or reject. Shakespeare was one of the most pervasive intellectual, aesthetic, and social forces of the Victorian period, with the plays in print, performance, and as moral examples penetrating to every aspect of life in every social class and situation. Shakespeare and the Victorians offers an analytical survey of the main forms and paths of this presence. It begins with a discussion of the processes of editing and publishing the plays, embracing both cholarly and popular editions. It moves to consider performance styles, quoting original reviews to assess methods of acting and production.Music for the Shakespearean stage, now largely forgotten, is reassessed, as is the varied tradition of Shakespeare painting that extends far beyond the familiar images of the Pre-Raphaelites. Shakespearian themes dominate in the novel, especially the conflict between town and country and the changing status of women; poetry shows the power of Shakespeare in the use of iambic pentameter and the sonnet form. The plays are fragmented through the study of individual character and their use as moral compendia, and the search for 'Shakespeare the man' in biographies, portraiture and pilgrimages to the birthplace. A concluding chapter looks at the last two decades in terms of editing, performance, the renewed importance of the Sonnets, and new performance styles.
Illustrations: 20 black-and-white illustrations
Publication: UK
Imprint: Oxford University Press
Returns: Returnable
Some other items by this author:
BRITISH ROMANTIC ART AND THE SECOND WORLD WAR (PB)
ENGLISH (PB)
EXTENDING THE BOOK (PB)
FIELDS OF AGONY
PAINTING SHAKESPEARE (HB)
PERFORMING WISDOM
PERFORMING WISDOM (HB)
PICTURING ENGLAND BETWEEN THE WARS WORD (HB)
SHAKESPEARE AND THE VICTORIANS (PB)
SHAKESPEARE AND THE VISUAL IMAGINATION (HB)
SHAKESPEARE SEEN (HB)
SHAKESPEARE, TIME AND THE VICTORIANS (HB)
STRUCTURE AND DISSOLUTION IN ENGLISH WRITING, 1910-1920 (HB)
STRUCTURE AND DISSOLUTION IN ENGLISH WRITING, 1910-1920 (PB)
SUCCESS IN COMMUNICATION (PB)
THE ILLUSTRATED SHAKESPEARE, 1709-1875
THE ILLUSTRATED SHAKESPEARE, 1709-1875 (HB)
THE STRUCTURE AND DISSOLUTION IN ENGLISH WRITING, 1910-1920 (HB)
VISUALISATION IN POPULAR FICTION 1860-1960
VISUALISATION IN POPULAR FICTION 1860-1960
VISUALISATION IN POPULAR FICTION 1860-1960
VISUALISATION IN POPULAR FICTION 1860-1960
VISUALISATION IN POPULAR FICTION 1860-1960 (HB)
VISUALISATION IN POPULAR FICTION 1860-1960 (PB)

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