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Item Details
Title: AESTHETICS AND THE SCIENCES OF MIND
By: Greg Currie (Editor), Matthew Kieran (Editor), Aaron Meskin (Editor)
Format: Paperback

List price: £44.49
Our price: £38.93
Discount:
12.5% off
You save: £5.56
ISBN 10: 0199669643
ISBN 13: 9780199669646
Availability: Usually dispatched within 1-3 weeks.
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Publisher: OXFORD UNIVERSITY PRESS
Pub. date: 1 December, 2017
Pages: 256
Description: How far should philosophical accounts of the value and interpretation of art be sensitive to the scientific approaches used by psychologists, sociologists, and evolutionary thinkers? A team of experts urge different answers to this question, and explore how empirical inquiry can shed light on problems traditionally regarded as philosophical.
Synopsis: Through much of the twentieth century, philosophical thinking about works of art, design, and other aesthetic products has emphasized intuitive and reflective methods, often tied to the idea that philosophy's business is primarily to analyze concepts. This 'philosophy from the armchair' approach contrasts with methods used by psychologists, sociologists, evolutionary thinkers, and others who study the making and reception of the arts empirically. How far should philosophers be sensitive to the results of these studies? Is their own largely a priori method basically flawed? Are their views on aesthetic value, interpretation, imagination, and the emotions of art to be rethought in the light of best science? The essays in this volume seek answers to these questions, many through detailed studies of problems traditionally regarded as philosophical but where empirical inquiry seems to be shedding interesting light.No common view is looked for or found in this volume: a number of authors argue that the current enthusiasm for scientific approaches to aesthetics is based on a misunderstanding of the philosophical enterprise and sometimes on misinterpretation of the science; others suggest various ways that philosophy can and should accommodate and sometimes yield to the empirical approach. The editors provide a substantial introduction which sets the scene historically and conceptually before summarizing the claims and arguments of the essays.
Publication: UK
Imprint: Oxford University Press
Returns: Returnable
Some other items by this author:
AESTHETICS (HB)
AESTHETICS (PB)
AESTHETICS AND THE SCIENCES OF MIND (HB)
CONTEMPORARY DEBATES IN AESTHETICS AND THE PHILOSOPHY OF ART (HB)
CONTEMPORARY DEBATES IN AESTHETICS AND THE PHILOSOPHY OF ART (PB)
IMAGINATION, PHILOSOPHY AND THE ARTS
IMAGINATION, PHILOSOPHY AND THE ARTS
IMAGINATION, PHILOSOPHY AND THE ARTS
IMAGINATION, PHILOSOPHY AND THE ARTS
IMAGINATION, PHILOSOPHY AND THE ARTS
IMAGINATION, PHILOSOPHY AND THE ARTS (HB)
IMAGINATION, PHILOSOPHY AND THE ARTS (PB)
KNOWING ART (HB)
KNOWING ART (PB)
MEDIA AND VALUES
MEDIA AND VALUES (PB)
MEDIA ETHICS
MEDIA ETHICS
MEDIA ETHICS
MEDIA ETHICS
MEDIA ETHICS
MEDIA ETHICS (HB)
MEDIA ETHICS (HB)
MEDIA ETHICS (PB)
MEDIA ETHICS (PB)
OPPOSITE
PHILOSOPHICAL AESTHETICS AND THE SCIENCES OF ART: VOLUME 75 (PB)
REVEALING ART
REVEALING ART
REVEALING ART
REVEALING ART
REVEALING ART
REVEALING ART
REVEALING ART (HB)
REVEALING ART (PB)
THE ART OF COMICS
THE ART OF COMICS
THE ART OF COMICS
THE ART OF COMICS
THE ART OF COMICS (HB)
THE ART OF COMICS (PB)
THE ROUTLEDGE COMPANION TO COMICS
THE ROUTLEDGE COMPANION TO COMICS
THE ROUTLEDGE COMPANION TO COMICS
THE ROUTLEDGE COMPANION TO COMICS (HB)

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