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Item Details
Title: EARLY MUSIC: A VERY SHORT INTRODUCTION
By: Professor Thomas Forrest Kelly
Format: Paperback

List price: £9.99
Our price: £7.29
Discount:
27% off
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ISBN 10: 0199730768
ISBN 13: 9780199730766
Availability: Reprinting. This item may be subject to delays or cancellation.
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Publisher: OXFORD UNIVERSITY PRESS INC
Pub. date: 25 April, 2011
Series: Very Short Introductions
Pages: 144
Description: In this Very Short Introduction, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, along with a short history of early music revivals.
Synopsis: The music of the medieval, Renaissance, and baroque periods have been repeatedly discarded and rediscovered ever since they were new. An interest in music of the past has been characteristic of a part of the musical world since the early 19th century. The revival of Gregorian chant in the early 19th century; the "Cecilian movement" in later 19th-century Germany seeking to immortalize Palestrina's music as a sound-ideal; Mendelssohn's revival of Bach: these are some of the efforts made in the past to restore still earlier music. In recent years this interest has taken on particular meaning, representing two specific trends: first, a rediscovery of little-known underappreciated repertories, and second, an effort to recover lost performing styles, with the conviction that such music will come to life anew with the right performance. Much has been gained in the 20th century from the study and revival of instruments, playing techniques, and repertories.In this VSI, Thomas Forrest Kelly frames chapters on the forms, techniques, and repertories practices of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, as well as a short history of early music revivals. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Illustrations: 10 black and white halftones
Publication: US
Imprint: Oxford University Press Inc
Returns: Returnable
Some other items by this author:
AMBROSIANA AT HARVARD (PB)
ARS ANTIQUA (HB)
ARS NOVA (HB)
BENEVENTAN CHANT (HB)
CAMBRIDGE HISTORY OF MEDIEVAL MUSIC (HB)
CAPTURING MUSIC (HB)
CENTURY OF BACH AND MOZART (HB)
CHANT AND ITS ORIGINS (HB)
CONCRETE
EMBELLISHING THE LITURGY (HB)
FIRST NIGHTS (PB)
FIRST NIGHTS AT THE OPERA (PB)
FRENCH MOTETS IN THE THIRTEENTH CENTURY (PB)
INSTRUMENTS AND THEIR MUSIC IN THE MIDDLE AGES (HB)
MELISMA (HB)
MUSIC IN MEDIEVAL EUROPE
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
MUSIC THEN AND NOW WITH TOTAL ACCESS REGISTRATION CARD (HB)
ORAL AND WRITTEN TRANSMISSION IN CHANT (HB)
PLAINSONG IN THE AGE OF POLYPHONY (PB)
POETS AND SINGERS (HB)
ROLE OF THE SCROLL (HB)
THE BENEVENTAN CHANT (PB)
THE CAMBRIDGE HISTORY OF MEDIEVAL MUSIC 2 VOLUME HARDBACK SET
THE CENTURY OF BACH AND MOZART (PB)
THE EXULTET IN SOUTHERN ITALY (HB)
THE ORGAN IN WESTERN CULTURE, 750-1250 (PB)
THE PRACTICE OF MEDIEVAL MUSIC (HB)
THE SOURCES OF BENEVENTAN CHANT (HB)

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