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Item Details
Title: CEZANNE AND THE END OF IMPRESSIONISM
A STUDY OF THE THEORY, TECHNIQUE AND CRITICAL EVALUATION OF MODERN ART
By: Richard Shiff
Format: Paperback

List price: £40.00
Our price: £36.00
Discount:
10% off
You save: £4.00
ISBN 10: 0226753069
ISBN 13: 9780226753065
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: THE UNIVERSITY OF CHICAGO PRESS
Pub. date: 1 April, 1986
Pages: 334
Synopsis: Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cezanne's painting. He shows how Cezanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cezanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well."
Illustrations: 1 colour plate, 57 halftones
Publication: US
Imprint: University of Chicago Press
Returns: Returnable
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CEZANNE (HB)
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CEZANNE (PB)
CEZANNE'S COMPOSITION (PB)
CHINATI (HB)
CHINATI (HB)
CHINATI - THE VISION OF DONALD JUDD (HB)
CHUCK CLOSE (PB)
CHUCK CLOSE PRINTS (HB)
CONVERSATIONS WITH CEZANNE
CONVERSATIONS WITH CEZANNE (PB)
CRITICAL TERMS FOR ART HISTORY (HB)
CRITICAL TERMS FOR ART HISTORY (PB)
DONALD JUDD (PB)
DOUBT
DOUBT
DOUBT
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DOUBT (PB)
DRAWING IS EVERYTHING (HB)
EARLY MONDRIAN (PB)
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