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Item Details
Title: THE IMPOSSIBLE DAVID LYNCH
By: Todd McGowan
Format: Hardback

List price: £92.00
Our price: £73.60
Discount:
20% off
You save: £18.40
ISBN 10: 0231139543
ISBN 13: 9780231139540
Availability: Usually dispatched within 1-3 weeks.
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Publisher: COLUMBIA UNIVERSITY PRESS
Pub. date: 2 February, 2007
Series: Film and Culture Series
Pages: 280
Description: Offers an exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. Considering the filmmaker's entire career, the author examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films.
Synopsis: Todd McGowan launches a provocative exploration of weirdness and fantasy in David Lynch's groundbreaking oeuvre. He studies Lynch's talent for blending the bizarre and the normal to emphasize the odd nature of normality itself. Hollywood is often criticized for distorting reality and providing escapist fantasies, but in Lynch's movies, fantasy becomes a means through which the viewer is encouraged to build a revolutionary relationship with the world.Considering the filmmaker's entire career, McGowan examines Lynch's play with fantasy and traces the political, cultural, and existential impact of his unique style. Each chapter discusses the idea of impossibility in one of Lynch's films, including the critically acclaimed Blue Velvet and The Elephant Man; the densely plotted Lost Highway and Mulholland Drive; the cult favorite Eraserhead; and the commercially unsuccessful Dune. McGowan engages with theorists from the "golden age" of film studies (Christian Metz, Laura Mulvey, and Jean-Louis Baudry) and with the thought of Sigmund Freud, Jacques Lacan, and Hegel. By using Lynch's weirdness as a point of departure, McGowan adds a new dimension to the field of auteur studies and reveals Lynch to be the source of a new and radical conception of fantasy.
Publication: US
Imprint: Columbia University Press
Returns: Returnable
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CAMBRIDGE INTRODUCTION TO JACQUES LACAN
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CAN PHILOSOPHY LOVE? (HB)
CAPITALISM AND DESIRE
CAPITALISM AND DESIRE
CAPITALISM AND DESIRE (HB)
EMANCIPATION AFTER HEGEL
EMANCIPATION AFTER HEGEL (HB)
EMBRACING ALIENATION
ENJOYING WHAT WE DON'T HAVE (PB)
ENJOYMENT RIGHT & LEFT
IMPOSSIBLE DAVID LYNCH (HB)
LACAN AND CONTEMPORARY FILM (PB)
ONLY A JOKE CAN SAVE US (HB)
ONLY A JOKE CAN SAVE US (PB)
OUT OF TIME (HB)
OUT OF TIME (PB)
PSYCHOANALYTIC FILM THEORY AND THE RULES OF THE GAME (HB)
PSYCHOANALYTIC FILM THEORY AND THE RULES OF THE GAME (PB)
PURE EXCESS
PURE EXCESS (HB)
RUPTURE (PB)
SPIKE LEE (HB)
SPIKE LEE (PB)
THE BOOK OF JOB AND THE IMMANENT GENESIS OF TRANSCENDENCE (HB)
THE BOOK OF JOB AND THE IMMANENT GENESIS OF TRANSCENDENCE (PB)
THE END OF DISSATISFACTION? (HB)
THE END OF DISSATISFACTION? (PB)
THE FEMININE "NO!" (HB)
THE FEMININE "NO!" (PB)
THE FICTIONAL CHRISTOPHER NOLAN (HB)
THE FICTIONAL CHRISTOPHER NOLAN (PB)
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UNIVERSALITY AND IDENTITY POLITICS (HB)

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