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Item Details
Title: TERRENCE MALICK
By: Lloyd Michaels
Format: Hardback

List price: £85.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 025203385X
ISBN 13: 9780252033858
Publisher: UNIVERSITY OF ILLINOIS PRESS
Pub. date: 15 October, 2008
Series: Contemporary Film Directors
Pages: 144
Description: For a director who has made only four feature films over three decades, Terrence Malick has sustained an extraordinary critical reputation as one of America\u2019s most original and independent filmmakers. In this book, Lloyd Michaels analyzes each of Malick\u2019s four features in depth, emphasizing both repetitive formal techniques such as voiceover and long lens cinematography as well as recurrent themes drawn from the director\u2019s academic training in modern philosophy and American literature. Michaels explores Malick\u2019s synthesis of the romance of mythic American experience and the aesthetics of European art film. He performs close cinematic analysis of paradigmatic moments in Malick\u2019s films: the billboard sequence in Badlands, the opening credits in Days of Heaven, the philosophical colloquies between Witt and Welsh in The Thin Red Line, and the epilogue in The New World. This richly detailed study also includes the only two published interviews with Malick, both in 1975 following the release of his first feature film.
Synopsis: For a director who has made only four feature films over three decades, Terrence Malick has sustained an extraordinary critical reputation as one of America\u2019s most original and independent filmmakers. In this book, Lloyd Michaels analyzes each of Malick\u2019s four features in depth, emphasizing both repetitive formal techniques such as voiceover and long lens cinematography as well as recurrent themes drawn from the director\u2019s academic training in modern philosophy and American literature. Michaels explores Malick\u2019s synthesis of the romance of mythic American experience and the aesthetics of European art film. He performs close cinematic analysis of paradigmatic moments in Malick\u2019s films: the billboard sequence in Badlands, the opening credits in Days of Heaven, the philosophical colloquies between Witt and Welsh in The Thin Red Line, and the epilogue in The New World. This richly detailed study also includes the only two published interviews with Malick, both in 1975 following the release of his first feature film.
Publication: US
Imprint: University of Illinois Press
Returns: Non-returnable
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