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Item Details
Title: DECOMPOSITION
POST-DISCIPLINARY PERFORMANCE
By: Sue-Ellen Case (Editor), Philip Brett (Editor), Susan Foster (Editor)
Format: Hardback

List price: £33.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0253337232
ISBN 13: 9780253337238
Publisher: INDIANA UNIVERSITY PRESS
Pub. date: 22 June, 2000
Series: Unnatural Acts: Theorizing the Performative
Pages: 232
Description: Moving from the local to the global, from body parts to stage productions, and from race relations to global politics, these essays seek the decomposition of cultural myths. It pursues understandings of performance in the postmodern world, embodying perspectives that help understand the historical and cultural issues that underpin it.
Synopsis: The fluid nature of performance studies and the widening embrace of the idea of performativity has produced in "Decomposition: Post-Disciplinary Performance", a collection of great interest that crosses disciplinary lines of academic work. The essays move from the local to the global, from history to sport, from body parts to stage productions, and from race relations to global politics. In the title essay, Elizabeth Wood writes with eloquence about a basic human relation cast around the question of performance and triangulated by the role a great performer took within it. In this unnatural act of somatic and sonic decomposition of the maternal body's "soundscape", she seeks to liberate herself and us from the last refuge of patriarchal order and compulsory heterosexuality, the subordinating myth of maternal omnipotence. The decomposition of such myths is a binding force in this volume. Together these essays pursue critical understandings of performance in our postmodern world, embodying perspectives that help us understand the historical and cultural issues that underpin it.
Illustrations: 30 b&w photos, 1 figures, 1 index
Publication: US
Imprint: Indiana University Press
Returns: Non-returnable
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CORPOREALITIES
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CRUISING THE PERFORMATIVE (HB)
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DECOMPOSITION
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FEMINISM AND THEATRE
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FEMINISM AND THEATRE (HB)
FEMINISM AND THEATRE (HB)
FEMINISM AND THEATRE (PB)
FEMINISM AND THEATRE (PB)
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FEMINIST AND QUEER PERFORMANCE (HB)
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GRADUALIA 1 (1605) (PB)
GRADUALIA I (PB)
GRADUALIA I (PB)
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LARA CROFT (HB)
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MADRIGALS SONGS AND CANONS (PB)
MARINE GENETIC RESOURCES, ACCESS AND BENEFIT SHARING
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MUSIC AND SEXUALITY IN BRITTEN
MUSIC AND SEXUALITY IN BRITTEN (PB)
MUSICA BRITANNICA (PB)
MY BODY, THE BUDDHIST
PANDEMICS AND GLOBAL HEALTH (PB)
PERFORMING FEMINISMS (PB)
PERFORMING SCIENCE AND THE VIRTUAL
PERFORMING SCIENCE AND THE VIRTUAL
PERFORMING SCIENCE AND THE VIRTUAL
PERFORMING SCIENCE AND THE VIRTUAL
PERFORMING SCIENCE AND THE VIRTUAL (HB)
PERFORMING SCIENCE AND THE VIRTUAL (PB)
PREPARING CULTURALLY INFORMED EDUCATORS (HB)
QUEERING THE PITCH
QUEERING THE PITCH
QUEERING THE PITCH
QUEERING THE PITCH
QUEERING THE PITCH
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SMART PACKING FOR TODAY'S TRAVELER (PB)
SMART PACKING: IT'S A SUITCASE, NOT YOUR CLOSET!
SPEM IN ALIUM
SPLIT BRITCHES
SPLIT BRITCHES
SPLIT BRITCHES
SPLIT BRITCHES (HB)
SPLIT BRITCHES (PB)
STAGING INTERNATIONAL FEMINISMS
STAGING INTERNATIONAL FEMINISMS (HB)
TEMPTATION IN EDEN (HB)
THE DOMAIN-MATRIX
THE DOMAIN-MATRIX
THE LAMENTATIONS OF JEREMIAH
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WILLIAM BYRD AND HIS CONTEMPORARIES
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