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Item Details
Title: WORKING CONDITIONS
THE WRITINGS OF HANS HAACKE
By: Hans Haacke, Alexander Alberro (Editor)
Format: Hardback

List price: £32.00
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ISBN 10: 0262034832
ISBN 13: 9780262034838
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Stock: Currently 1item in stock
Publisher: MIT PRESS LTD
Pub. date: 21 October, 2016
Series: Writing Art
Pages: 344
Synopsis: Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context -- the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; Gallery-Goers' Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires.This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 Sao Paulo Biennial; the title piece, "Working Conditions," which discusses corporate influence on the art world; Haacke's thinking about "real-time social systems"; and texts written for museum catalogs on various artworks, including GERMANIA, in the German Pavilion of the 1993 Venice Biennial; DER BEVOELKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages, an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse, unveiled on the fourth plinth in Trafalgar Square in 2015.
Illustrations: 47 color illus., 18 b&w illus.
Publication: US
Imprint: MIT Press
Returns: Non-returnable
Some other items by this author:
ABSTRACTION IN REVERSE (HB)
ART AFTER CONCEPTUAL ART (PB)
AVANT-GARDE IN THE BLOC (PB)
CONCEPTUAL ART (PB)
CONCEPTUAL ART AND THE POLITICS OF PUBLICITY (HB)
CONCEPTUAL ART AND THE POLITICS OF PUBLICITY (PB)
DAN GRAHAM (PB)
DISSOLVE INTO COMPREHENSION (HB)
FREE EXCHANGE (PB)
FREE EXCHANGE (PB)
HANS HAACKE 1967 (PB)
HNAS HAACKE: VIEWING MATTERS (HB)
INSTITUTIONAL CRITIQUE (PB)
JOHN MILLER (PB)
JOHN MILLER (PB)
LAWRENCE WEINER (PB)
LYGIA PAPE (HB)
MARTA MINUJIN - MINUCODES (PB)
MONICA BONVICINI (PB)
MUSEUM HIGHLIGHTS (PB)
PARACHUTE (PB)
PARACHUTE (PB)
PATRICK IRELAND (PB)
PIERRE BISMUTH (HB)
RECORDING CONCEPTUAL ART
RECORDING CONCEPTUAL ART (PB)
RENEE GREEN (PB)
ROBERT SMITHSON (HB)
ROBERT SMITHSON (PB)
SOUTH AS A STATE OF MIND (PB)
SOUTH AS A STATE OF MIND (PB)
STAN DOUGLAS: ABBOTT AND CORDOVA, 7 AUGUST 1971
STAN DOUGLAS: ABBOTT AND CORDOVA, 7 AUGUST 1971 (FF)
THE ARTIST AS CURATOR (PB)
TRACING CULTURES (PB)
TWO-WAY MIRROR POWER (PB)
WESTERN RECORDING (PB)

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