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Item Details
| Title:
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MAR MAGDALENA CAMPOS-PONS
EVERYTHING IS SEPARATED BY WATER |
| By: |
Lisa D. Freiman (Editor), Okwui Enwezor, Lisa D. Freiman |
| Format: |
Hardback |
| List price:
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£50.00 |
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We currently do not stock this item, please contact the publisher directly for
further information.
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| ISBN 10: |
0300123450 |
| ISBN 13: |
9780300123456 |
| Publisher: |
YALE UNIVERSITY PRESS |
| Pub. date: |
1 February, 2007 |
| Pages: |
160 |
| Description: |
Maria Magdalena Campos-Pons is one of the most significant artists to emerge from post-Revolutionary Cuba. Her evocative works probe questions of race, class, cultural hybridism, and national identities in African diasporic communities. This work is a survey of the her career. |
| Synopsis: |
With a diverse oeuvre ranging from painting to mixed-media installations to performance, video, and photography, Maria Magdalena Campos-Pons is one of the most significant artists to emerge from post-Revolutionary Cuba. Her evocative works probe questions of race, class, cultural hybridism, and national identities in African diasporic communities. Maria Magdalena Campos-Pons: Everything Is Separated by Water is the first full-scale survey of the artist's career. The title, borrowed from one of her works, evokes at once the dangerous sea crossings faced by her enslaved ancestors from Africa and her Cuban contemporaries seeking greater freedom in America, and the sense of dislocation felt when physical and geopolitical barriers divide family and friends, past and future. Lisa D. Freiman considers how Campos-Pons's practice, which is predicated on concepts of separation, memory, and fragmentation, developed and transformed from her artistic training and early production in Cuba in the 1980s through her move to the United States in 1991 and her subsequent recognition as a major figure in the international art world.Okwui Enwezor interprets Campos-Pons's expressive materials--reassembled fragments of lost traditions and symbols, and memories of personal and collective history, religion, and mythology--within the context of post-colonial theory. Handsomely designed and produced, this book offers an unprecedented opportunity to assess the significance and import of this challenging artist's work. |
| Illustrations: |
7 b-w + 58 color illus. |
| Publication: |
US |
| Imprint: |
Yale University Press |
| Returns: |
Returnable |
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