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Item Details
Title: COURT, COUNTRY, CITY
ESSAYS ON BRITISH ART AND ARCHITECTURE, 1660--1735
By: Mark Hallett (Editor), Nigel Llewellyn (Editor), Martin Myrone (Editor)
Format: Hardback

List price: £55.00


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ISBN 10: 0300214804
ISBN 13: 9780300214802
Publisher: YALE CENTER FOR BRITISH ART
Pub. date: 3 May, 2016
Series: Studies in British Art
Pages: 544
Description: "The late 17th and early 18th centuries saw profound changes in Britain and in its visual arts. This volume provides fresh perspectives on the art of the late Stuart and early Georgian periods, focusing on the concepts, spaces, and audiences of court, country, and city as reflected in an array of objects, materials, and places. The essays discuss the revolutionary political and economic circumstances of the period, which not only forged a new nation-state but also provided a structural setting for artistic production and reception. Essays cover such diverse topics as tapestry in the age of Charles II and painting in the court of Queen Anne; male friendship portraits; mezzotint and the exchange between painting and print; the interpretation of genres such as still life and marine painting; the concept of remembered places; courtly fashion and furnishing; the codification of rules for painting; and the development of aesthetic theory"--
Synopsis: The late 17th and early 18th centuries saw profound changes in Britain and in its visual arts. This volume provides fresh perspectives on the art of the late Stuart and early Georgian periods, focusing on the concepts, spaces, and audiences of court, country, and city as reflected in an array of objects, materials, and places. The essays discuss the revolutionary political and economic circumstances of the period, which not only forged a new nation-state but also provided a structural setting for artistic production and reception. Contributions from nineteen authors and the three editors cover such diverse topics as tapestry in the age of Charles II and painting in the court of Queen Anne; male friendship portraits; mezzotint and the exchange between painting and print; the interpretation of genres such as still life and marine painting; the concept of remembered places; courtly fashion and furnishing; the codification of rules for painting; and the development of aesthetic theory.
Illustrations: 194 color illus.
Publication: US
Imprint: Yale Center for British Art
Returns: Returnable
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