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Item Details
| Title:
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BLUES IN BLACK AND WHITE
THE LANDMARK ANN ARBOR BLUES FESTIVALS |
| By: |
Michael Erlewine, Stanley Livingston, Jim O'Neal (Foreword) |
| Format: |
Paperback |
| List price:
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£24.95 |
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We believe that this item is permanently unavailable, and so we cannot source
it.
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| ISBN 10: |
0472116959 |
| ISBN 13: |
9780472116959 |
| Publisher: |
THE UNIVERSITY OF MICHIGAN PRESS |
| Pub. date: |
25 June, 2010 |
| Pages: |
144 |
| Description: |
In 1969 and 1970, the first Ann Arbor Blues Festivals brought together the greatest-ever selection of blues performers - an enormous blues party that seemed to feature every big name in the world of blues. Featuring thousands of photographs from these festivals, this title captures these legendary performances onstage and the goings-on backstage. |
| Synopsis: |
In 1969 and 1970, the first Ann Arbor Blues Festivals brought together the greatest-ever selection of blues performers - an enormous blues party that seemed to feature every big name in the world of blues. The Ann Arbor Blues Festival was just that: a festival and celebration of city blues. It helped to mark the discovery of modern blues music (and the musicians who made that music) by a much larger audience. The festival, however, was something more than just a White audience discovering Black music. Never before had such a far-reaching list of performers been assembled including the grandfathers of southern country blues and the hottest electric bands from Chicago. These groundbreaking festivals were the seed that grew into the Ann Arbor Blues and Jazz Festival, which was continued annually for many years.To name just a few of the dozens of artists who performed at the festival: Luther Allison, John Lee Hooker, Howlin' Wolf, B.B. King, Muddy Waters, Otis Rush, Hound Dog Taylor, Big Mama Thorton, T-Bone Walker, Sippie Wallace, Junior Wells, and Mighty Joe Young, among many others.Stanley Livingston, a professional photographer from Ann Arbor, captured these legendary performances onstage - as well as the goings-on backstage. Livingston's thousands of photographs from these festivals - previously unpublished and known only to a few - are among the finest candid blues shots ever taken. Together with editor and archivist Michael Erlewine's text accompaniments, these photographs comprise a visual history and important keepsake for blues aficionados everywhere. |
| Illustrations: |
125 photographs |
| Publication: |
US |
| Imprint: |
The University of Michigan Press |
| Returns: |
Returnable |
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