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Item Details
| Title:
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OFF THE PAGE
SCREENWRITING IN THE ERA OF MEDIA CONVERGENCE |
| By: |
Daniel Bernardi, Julian Hoxter |
| Format: |
Paperback |
| List price:
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£25.00 |
| Our price: |
£20.00 |
| Discount: |
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| You save:
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£5.00 |
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| ISBN 10: |
0520285654 |
| ISBN 13: |
9780520285651 |
| Availability: |
Usually dispatched within 1-3 weeks.
 Delivery
rates
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| Stock: |
Currently 0 available |
| Publisher: |
UNIVERSITY OF CALIFORNIA PRESS |
| Pub. date: |
12 September, 2017 |
| Pages: |
320 |
| Description: |
"Due to rapid technological change, economic challenges facing media industries, and the writers' strike of 2007-08, screenwriting has been changing dramatically. While industry professionals in LA are still writing screenplays, what the studios want is changing, and there are new players in the market. Larger studios have become more conservative about the 'tentpole' pictures they need to make their bottom lines work, relying more on sequels, remakes, and established properties with track records in other media. The spec market for pre-written scripts and pitches by established professionals is in drastic decline--and viable content creation by fans and amateurs is on the rise. At the same time new opportunities for writers are proliferating in TV, micro--budget independents, games, and emerging content platforms like iTunes and VOD services. Off the Page is designed to be used by students and writers who want to understand what studios want, and what kind of opportunities exist beyond the old-school three-act structure screenplay. The book addresses specific genres old and new, a wide range of media, as well as specific professional details like working collaboratively in a 'writer's room,' showrunning, and the specific ways that scripts themselves are now written."--Provided by publishe |
| Synopsis: |
Off the Page examines the business and craft of screenwriting in the era of media convergence. Daniel Bernardi and Julian Hoxter use the recent history of screenwriting labor coupled with close analysis of scripts in the context of the screenwriting paraindustry-from "how to write a winning script" books to screenwriting software-to explore the state of screenwriting today. They address the conglomerate studios making tentpole movies, expanded television, Indiewood, independent animation, microbudget scripting, the video games industry, and online content creation. Designed for students, producers, and writers who want to understand what studios want and why they want it, this book also examines how scripting is developing in the convergent media, beneath and beyond the Hollywood tentpole. By addressing specific genres across a wide range of media, this essential volume sets the standard for anyone in the expanded screenwriting industry and the scholars that study it. |
| Illustrations: |
5 b/w, 1 chart, 1 table |
| Publication: |
US |
| Imprint: |
University of California Press |
| Returns: |
Returnable |
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