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Item Details
| Title:
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THE FILMS OF JOHN CASSAVETES
PRAGMATISM, MODERNISM, AND THE MOVIES |
| By: |
Ray Carney |
| Format: |
Hardback |
| List price:
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£78.00 |
| Our price: |
£68.25 |
| Discount: |
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| You save:
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£9.75 |
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| ISBN 10: |
0521381193 |
| ISBN 13: |
9780521381192 |
| Availability: |
Usually dispatched within 1-3 weeks.
 Delivery
rates
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| Stock: |
Currently 0 available |
| Publisher: |
CAMBRIDGE UNIVERSITY PRESS |
| Pub. date: |
25 March, 1994 |
| Series: |
Cambridge Film Classics |
| Pages: |
336 |
| Description: |
The first book to tell in detail the story of the maverick filmmaker who worked outside the studio system. |
| Synopsis: |
The first book to tell in detail the story of a maverick filmmaker who worked outside the studio system. Providing extended critical discussion on six of his most important films (Shadows, Faces, Minnie and Moskowitz, A Woman Under the Influence, The Killing of a Chinese Bookie, and Love Streams), Ray Carney argues that Cassavetes' work is a distinctly life-affirming form of modernist expression that is at odds with the world-denying modernism of many of the most important art works produced in this century. Cassavetes is revealed to be a profoundly thoughtful and self-aware filmmaker and a deeply philosophical thinker, whose work takes its place in the American tradition along with the writing of Ralph Waldo Emerson and William James. The six films treated here emerge as expressive interpretations of the bewildering challenges in contemporary American cultural experience. |
| Illustrations: |
35 b/w illus. |
| Publication: |
UK |
| Imprint: |
Cambridge University Press |
| Returns: |
Returnable |
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