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Item Details
Title: CHICANO DRAMA
PERFORMANCE, SOCIETY AND MYTH
By: Jorge Huerta, Don B. Wilmeth
Format: Paperback

List price: £46.00
Our price: £40.25
Discount:
12.5% off
You save: £5.75
ISBN 10: 0521778174
ISBN 13: 9780521778176
Availability: Usually dispatched within 1-3 weeks.
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Publisher: CAMBRIDGE UNIVERSITY PRESS
Pub. date: 16 November, 2000
Series: Cambridge Studies in American Theatre and Drama No. 12
Pages: 224
Description: An accessible introduction for students and theatregoers of Chicano theatre, first published in 2000.
Synopsis: This book, first published in 2000, was the first since Jorge Huerta's earlier study Chicano Theater: Themes and Forms to explore the diversity and energy of Chicano theatre. Huerta takes as his starting point 1979, the year Luis Valdez's play, Zoot Suit, was produced on Broadway. Huerta looks at plays by and about Chicana and Chicanos, as they explore, through performance, the community and its identity caught between the United States and Mexico. Through informative biographies of each playwright and analyses of their plays, Huerta offers an accessible introduction to this important aspect of American theatre and culture. Overall, Huerta establishes a pattern of theatrical activity that is closely linked with both Western European traditions of realism and an indigenous philosophy seen in contemporary Chicano culture. The book contains photographs from key productions and will be invaluable to students, scholars and general theatregoers.
Illustrations: 10 b/w illus.
Publication: UK
Imprint: Cambridge University Press
Returns: Returnable
Some other items by this author:
AFRICAN AMERICAN THEATRE (PB)
AMERICAN DRAMA (PB)
CHICANO DRAMA (HB)
CONGRESSIONAL THEATRE (HB)
CONGRESSIONAL THEATRE (PB)
DEMONS OF DISORDER (HB)
DEMONS OF DISORDER (PB)
GEORGE FREDERICK COOKE (HB)
JOHN BARRYMORE, SHAKESPEAREAN ACTOR (HB)
JOHN BARRYMORE, SHAKESPEAREAN ACTOR (PB)
NECESSARY THEATRE (PB)
NUEVOS PASOS (PB)
PERFORMANCE AND FEMININITY IN EIGHTEENTH-CENTURY GERMAN WOMEN'S WRITING (HB)
PERFORMANCE AND FEMININITY IN EIGHTEENTH-CENTURY GERMAN WOMEN'S WRITING (PB)
PERFORMING THE AMERICAN FRONTIER, 1870-1906 (PB)
PLAYS BY AUGUSTIN DALY (PB)
PLAYS BY WILLIAM HOOKER GILLETTE (HB)
PLAYS BY WILLIAM HOOKER GILLETTE (PB)
REMAKING AMERICAN THEATER (HB)
THE AMERICAN STAGE AND THE GREAT DEPRESSION (HB)
THE AMERICAN STAGE AND THE GREAT DEPRESSION (PB)
THE CAMBRIDGE GUIDE TO AMERICAN THEATRE (HB)
THE CAMBRIDGE GUIDE TO AMERICAN THEATRE (HB)
THE CAMBRIDGE GUIDE TO AMERICAN THEATRE (PB)
THE CAMBRIDGE GUIDE TO AMERICAN THEATRE (PB)
THE CAMBRIDGE HISTORY OF AMERICAN THEATRE (HB)
THE CAMBRIDGE HISTORY OF AMERICAN THEATRE (HB)
THE CAMBRIDGE HISTORY OF AMERICAN THEATRE (PB)
THE CAMBRIDGE HISTORY OF AMERICAN THEATRE (PB)
THE CAMBRIDGE HISTORY OF AMERICAN THEATRE (PB)
THE CAMBRIDGE HISTORY OF AMERICAN THEATRE 3 VOLUME HARDBACK SET
THE CAMBRIDGE HISTORY OF AMERICAN THEATRE 3 VOLUME PAPERBACK SET
THE GROUP THEATRE
THE GROUP THEATRE (HB)
THE GROUP THEATRE (PB)
THE LANGUAGE OF AMERICAN POPULAR ENTERTAINMENT (HB)
THE PROVINCETOWN PLAYERS AND THE CULTURE OF MODERNITY (HB)
THE REVISIONIST STAGE (PB)
THE THEATRE IN AMERICA DURING THE REVOLUTION (HB)
THE THEATRE IN AMERICA DURING THE REVOLUTION (PB)
THE THEATRE OF SAM SHEPARD (PB)
THEATRE CULTURE IN AMERICA, 1825-1860 (HB)
THEATRE CULTURE IN AMERICA, 1825-1860 (PB)
THEATRE, SOCIETY AND THE NATION (HB)
VARIETY, ENTERTAINMENT AND OUTDOOR AMUSEMENTS (HB)

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