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Item Details
| Title:
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GENDER, THEATRE, AND THE ORIGINS OF CRITICISM
FROM DRYDEN TO MANLEY |
| By: |
Marcie Frank |
| Format: |
Hardback |
| List price:
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£90.00 |
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We currently do not stock this item, please contact the publisher directly for
further information.
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| ISBN 10: |
0521818109 |
| ISBN 13: |
9780521818100 |
| Publisher: |
CAMBRIDGE UNIVERSITY PRESS |
| Pub. date: |
28 November, 2002 |
| Pages: |
186 |
| Description: |
An exploration of the theoretical and literary legacy of Dryden to a number of prominent women writers of the time. |
| Synopsis: |
In Gender, Theatre and the Origins of Criticism, Marcie Frank explores the theoretical and literary legacy of John Dryden to a number of prominent women writers of the time. Frank examines the pre-eminence of gender, sexuality and the theatre in Dryden's critical texts that are predominantly rewritings of the work of his own literary precursors - Ben Jonson, Shakespeare and Milton. She proposes that Dryden develops a native literary tradition that is passed on as an inheritance to his heirs - Aphra Behn, Catharine Trotter, and Delarivier Manley - as well as their male contemporaries. Frank describes the development of criticism in the transition from a court-sponsored theatrical culture to one oriented toward a consuming public, with very different attitudes to gender and sexuality. This study also sets out to trace the historical origins of certain aspects of current criticism - the practices of paraphrase, critical self-consciousness and performativity. |
| Illustrations: |
bibliography, index |
| Publication: |
UK |
| Imprint: |
Cambridge University Press |
| Returns: |
Non-returnable |
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