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Item Details
Title:
VISUAL THEORY
PAINTING AND INTERPRETATION
By:
Norman Bryson (Editor), Michael Ann Holly (Editor), Keith P. F. Moxey (Editor)
Format:
Paperback
List price:
£17.99
Our price:
£16.19
Discount:
10
% off
You save:
£1.80
ISBN 10:
0745606601
ISBN 13:
9780745606606
Availability:
Usually dispatched within 1-3 weeks.
Delivery rates
Stock:
Currently
0
available
Publisher:
POLITY PRESS
Pub. date:
30 November, 1990
Pages:
300
Description:
Draws together some of the most prominent and influential authors of recent methodological debates in the field of art history.
Synopsis:
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Arthur C. Danto on description and pictorial perception; Rosalind Krauss on language; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; Richard Wollheim on the role of spectator. Each of these major contributions is subjected to critical scrutiny by other well-known figures in the field. A unique volume which will establish itself as a key reference point for the discussion of art historical method.
Illustrations:
black & white illustrations
Publication:
UK
Imprint:
Polity Press
Returns:
Returnable
Some other items by this author:
ANDREAS GURSKY (HB)
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ART HISTORY, AESTHETICS, VISUAL STUDIES (PB)
BAKHTIN AND THE VISUAL ARTS (HB)
FRANCIS BACON AND THE TRADITION OF ART (HB)
HERSILIA''S SISTERS (HB)
JOACHIM FROESE (HB)
KATHARINA SIEVERDING (PB)
KATHARINA SIEVERDING (PB)
LIZ RIDEAL (PB)
LOOKING AT THE OVERLOOKED
LOOKING AT THE OVERLOOKED (HB)
LOOKING AT THE OVERLOOKED (PB)
LOOKING IN
LOOKING IN
LOOKING IN
LOOKING IN
LOOKING IN
LOOKING IN (HB)
LOOKING IN (PB)
MARK DION (PB)
MUSIC INSIDE OUT (HB)
MUSIC INSIDE OUT (PB)
PANOFSKY AND THE FOUNDATIONS OF ART HISTORY (HB)
PANOFSKY AND THE FOUNDATIONS OF ART HISTORY (PB)
PAST LOOKING (HB)
PAST LOOKING (PB)
PEASANTS, WARRIORS, AND WIVES (HB)
PEASANTS, WARRIORS, AND WIVES (PB)
POSTMODERNISM AND THE EN-GENDERING OF MARCEL DUCHAMP (PB)
ROBERT THERRIEN (HB)
ROBERT WILSON (PB)
SHARON LOCKHART (HB)
SHARON LOCKHART (HB)
SUSAN TURCOT (PB)
THE ACADEMY AND THE LIMITS OF PAINTING IN SEVENTEENTH-CENTURY FRANCE (HB)
THE MELANCHOLY ART
THE MELANCHOLY ART (HB)
THE PRACTICE OF PERSUASION (PB)
THE PRACTICE OF THEORY (PB)
THE RHETORIC OF POWER IN THE BAYEUX TAPESTRY (HB)
THE SUBJECTS OF ART HISTORY (PB)
TRADITION AND DESIRE (HB)
TRADITION AND DESIRE (PB)
VISION AND PAINTING (PB)
VISUAL CULTURE
VISUAL CULTURE: IMAGES AND INTERPRETATIONS (PB)
VISUAL TIME (HB)
VISUAL TIME (PB)
VISUALIZING BOCCACCIO (HB)
WORD AND IMAGE (PB)
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