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Item Details
Title: THE AUTHOR'S HAND AND THE PRINTER'S MIND
TRANSFORMATIONS OF THE WRITTEN WORD IN EARLY MODERN EUROPE
By: Roger Chartier
Format: Paperback

List price: £17.99


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0745656021
ISBN 13: 9780745656021
Publisher: POLITY PRESS
Pub. date: 18 October, 2013
Pages: 224
Description: * This is a major new work from one of the world s leading historians of print culture and the book. * Chartier shows that, in the early history of the book, the roles played by the printer and the typesetter were just as important as the role played by the author: they were often invisible but they were crucial.
Synopsis: In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author s or translator s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author s hand cannot be separated from the printers mind. This book is devoted to the process of publication of the works that framed their readers representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes Don Quixote or Shakespeare s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.
Publication: UK
Imprint: Polity Press
Returns: Returnable
Some other items by this author:
A HISTORY OF PRIVATE LIFE (PB)
A HISTORY OF READING IN THE WEST (HB)
A HISTORY OF READING IN THE WEST (PB)
A HISTORY OF READING IN THE WEST (PB)
CARDENIO BETWEEN CERVANTES AND SHAKESPEARE
CARDENIO BETWEEN CERVANTES AND SHAKESPEARE
CARDENIO BETWEEN CERVANTES AND SHAKESPEARE
CARDENIO BETWEEN CERVANTES AND SHAKESPEARE (HB)
CARDENIO BETWEEN CERVANTES AND SHAKESPEARE (PB)
COLOR OF MELANCHOLY (HB)
CORRESPONDENCE (HB)
CULTURAL USES OF PRINT IN EARLY MODERN FRANCE
CULTURAL USES OF PRINT IN EARLY MODERN FRANCE (HB)
FORMS AND MEANINGS
FORMS AND MEANINGS (HB)
FORMS AND MEANINGS (PB)
INSCRIPTION AND ERASURE (HB)
INSCRIPTION AND ERASURE (PB)
ON THE EDGE OF THE CLIFF (PB)
PUBLISHING DRAMA IN EARLY MODERN EUROPE (PB)
ROGER CHARTIER: CIVILITE. - THOMAS SCHLEICH: FANATIQUE, FANATISME
TABULA PICTA (HB)
THE AUTHOR'S HAND AND THE PRINTER'S MIND
THE AUTHOR'S HAND AND THE PRINTER'S MIND
THE AUTHOR'S HAND AND THE PRINTER'S MIND
THE AUTHOR'S HAND AND THE PRINTER'S MIND (HB)
THE CULTURAL ORIGINS OF THE FRENCH REVOLUTION (HB)
THE CULTURAL ORIGINS OF THE FRENCH REVOLUTION (PB)
THE CULTURE OF PRINT
THE CULTURE OF PRINT (HB)
THE CULTURE OF PRINT (PB)
THE ORDER OF BOOKS (HB)
THE ORDER OF BOOKS (PB)
THE SOCIOLOGIST AND THE HISTORIAN
THE SOCIOLOGIST AND THE HISTORIAN
THE SOCIOLOGIST AND THE HISTORIAN
THE SOCIOLOGIST AND THE HISTORIAN (HB)
THE SOCIOLOGIST AND THE HISTORIAN (PB)
WHERE IS BOOK HISTORY? (HB)
WHY FRANCE?
WHY FRANCE? (PB)
WON IN TRANSLATION (HB)

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