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Item Details
Title: FROM RENAISSANCE TO BAROQUE
CHANGE IN INSTRUMENTS AND INSTRUMENTAL MUSIC IN THE SEVENTEENTH CENTURY
By: Jonathan M. Wainwright, Peter Holman
Format: Hardback

List price: £135.00
Our price: £121.50
Discount:
10% off
You save: £13.50
ISBN 10: 0754604039
ISBN 13: 9780754604037
Availability: Usually dispatched within 1-3 weeks.
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Stock: Currently 0 available
Publisher: TAYLOR & FRANCIS LTD
Pub. date: 22 July, 2005
Pages: 342
Description: Historians of instruments and instrumental music have long recognised that there was a period of profound change in the 17th century. The essays collected here are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra.
Synopsis: Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations?For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
Illustrations: Includes 44 b&w illustrations and 14 music examples
Publication: UK
Imprint: Ashgate Publishing Limited
Returns: Returnable
Some other items by this author:
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100 QUESTIONS & ANSWERS ABOUT LYMPHOMA (PB)
100 QUESTIONS & ANSWERS ABOUT LYMPHOMA (PB)
A PERFORMER'S GUIDE TO MUSIC OF THE BAROQUE PERIOD
AN EASTER CELEBRATION (PB)
BEFORE THE BATON - MUSICAL DIRECTION AND CONDUCTING IN STUART AND GEORGIAN BRITAIN (HB)
CHRISTMAS CELEBRATION (PB)
DOWLAND: LACHRIMAE (1604)
DOWLAND: LACHRIMAE (1604) (HB)
DOWLAND: LACHRIMAE (1604) (PB)
EARLY MUSIC PERFORMER (PB)
FOUR AND TWENTY FIDDLERS (PB)
FROM RENAISSANCE TO BAROQUE (PB)
GENERAL WAINWRIGHT'S STORY (HB)
JOHN JENKINS AND HIS TIME (HB)
LEEDS BAROQUE PROGRAMME NOTES 2000-2018: (PB)
LIFE AFTER DEATH: THE VIOLA DA GAMBA IN BRITAIN FROM PURCELL TO DOLMETSCH (HB)
LIFE AFTER DEATH: THE VIOLA DA GAMBA IN BRITAIN FROM PURCELL TO DOLMETSCH (PB)
MUSIC IN THE BRITISH PROVINCES, 1690-1914 (HB)
MUSIC IN THE BRITISH PROVINCES, 1690-1914 (PB)
PERFORMER''S GUIDE TO MUSIC OF THE BAROQUE PERIOD
PURCELL (HB)
PURCELL (PB)
PURCELL COMPENDIUM (HB)
SIX HIGH AND LONELY CHURCHES (PB)

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