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Item Details
Title: QUOTING SHAKESPEARE
FORM AND CULTURE IN EARLY MODERN DRAMA
By: Douglas Bruster
Format: Hardback

List price: £45.00


We currently do not stock this item, please contact the publisher directly for further information.

ISBN 10: 0803213034
ISBN 13: 9780803213036
Publisher: UNIVERSITY OF NEBRASKA PRESS
Pub. date: 1 December, 2000
Pages: 268
Description: Shakespeare is the most frequently quoted author of the English-speaking world. His plays, in turn, "quote" a wide variety of sources, from books and ballads to persons and events. This title demonstrates that such borrowing can illuminate the world in which Shakespeare and his contemporary playwrights lived and worked.
Synopsis: William Shakespeare is perhaps the most frequently quoted author of the English-speaking world. His plays, in turn, "quote" a wide variety of sources, from books and ballads to persons and events. In this dynamic study of Shakespeare's plays, Douglas Bruster demonstrates that such borrowing can illuminate the world in which Shakespeare and his contemporary playwrights lived and worked, while also shedding light on later cultures that quote his plays. In contrast to the New Historicism's sometimes arbitrary linkage of literary works with elements drawn from the surrounding culture, Quoting Shakespeare focuses on the resources that writers used in making their works. Bruster shows how this borrowing can give us valuable insight into the cultural, historical, and political positions of writers and their works. Because Shakespeare's plays have often been quoted by other writers, this study also examines what subsequent uses of Shakespeare's plays reveal about the writers and cultures that use them. In this way, Quoting Shakespeare insists that literary production and reception are both integral to a historical approach to literature.
Publication: US
Imprint: University of Nebraska Press
Returns: Returnable
Some other items by this author:
A MIDSUMMER NIGHT'S DREAM (PB)
DRAMA AND THE MARKET IN THE AGE OF SHAKESPEARE
DRAMA AND THE MARKET IN THE AGE OF SHAKESPEARE (HB)
DRAMA AND THE MARKET IN THE AGE OF SHAKESPEARE (PB)
EVERYMAN AND MANKIND
EVERYMAN AND MANKIND
EVERYMAN AND MANKIND (HB)
EVERYMAN AND MANKIND (PB)
IN THE COMPANY OF SHAKESPEARE (HB)
PROLOGUES TO SHAKESPEARE'S THEATRE
PROLOGUES TO SHAKESPEARE'S THEATRE
PROLOGUES TO SHAKESPEARE'S THEATRE
PROLOGUES TO SHAKESPEARE'S THEATRE
PROLOGUES TO SHAKESPEARE'S THEATRE
PROLOGUES TO SHAKESPEARES THEATRE (HB)
PROLOGUES TO SHAKESPEARES THEATRE (PB)
SHAKESPEARE AND THE POWER OF PERFORMANCE
SHAKESPEARE AND THE POWER OF PERFORMANCE
SHAKESPEARE AND THE POWER OF PERFORMANCE (HB)
SHAKESPEARE AND THE POWER OF PERFORMANCE (PB)
SHAKESPEARE AND THE QUESTION OF CULTURE (HB)
SHAKESPEARE AND THE QUESTION OF CULTURE (PB)
TO BE OR NOT TO BE
TO BE OR NOT TO BE
TO BE OR NOT TO BE (HB)
TO BE OR NOT TO BE (PB)

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