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Item Details
| Title:
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CONJURING THE REAL
THE ROLE OF ARCHITECTURE IN EIGHTEENTH- AND NINETEENTH-CENTURY FICTION |
| By: |
Rumiko Handa (Editor), James Potter (Editor) |
| Format: |
Paperback |
| List price:
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£27.99 |
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We currently do not stock this item, please contact the publisher directly for
further information.
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| ISBN 10: |
0803217439 |
| ISBN 13: |
9780803217430 |
| Publisher: |
UNIVERSITY OF NEBRASKA PRESS |
| Pub. date: |
1 June, 2011 |
| Pages: |
232 |
| Description: |
Collection of lectures by distinguished scholars about the uses of architecture in literature, film, and theater. |
| Synopsis: |
In the Western world the period from the mid-eighteenth through the nineteenth century was a time of expanding historical consciousness, a period that saw the birth of modern historiography, a profusion of historical novels and paintings, and the widespread production of historical plays. Historical buildings, in themselves already of intense interest to people of the day, also found their way into the multiplying cultural forms as concrete presences anchoring a novelist's, poet's, painter's, or, eventually, filmmaker's vision of the past. In recent years a number of blockbuster films have used historically significant buildings as filming locations because buildings can concretely bring a former era or fictional world closer to contemporary viewers. Conjuring the Real traces the genealogy of this representational role of architecture, going back through the history of film and then further in literature, art, and theater. The contributors examine the ways in which authors, artists, and stage managers used complex depictions of buildings to feed and shape the audience's historical imagination. How can we understand the significance of architecture, not through its original design and construction but through the ways in which the public experiences, perceives, and understands it? The contributors pursue this question through the ideas of secondary portrayers of historical buildings, such as writers and artists, and then through the responses of those who read and view these creations. |
| Illustrations: |
33 illustrations |
| Publication: |
US |
| Imprint: |
University of Nebraska Press |
| Returns: |
Returnable |
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