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Item Details
Title: SCIENCE FICTION AND MARKET REALITIES
By: Gary Westfahl (Editor), etc. (Editor), George Slusser (Editor)
Format: Hardback

List price: £45.50


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ISBN 10: 0820317268
ISBN 13: 9780820317267
Publisher: UNIVERSITY OF GEORGIA PRESS
Pub. date: 1 August, 1996
Pages: 232
Language: English, Multiple languages
Description: This volume examines the modern marketplace of science fiction and the relationship between art, culture and commerce as reflected in works of science fiction. It includes discussion on American, British and Russian science fiction in context of their histories and market conditions.
Synopsis: The modern marketplace of science fiction, and the relationship between art, culture, and commerce as reflected in works of science fiction, are the concerns of these original essays. The contributors, all of whom are science fiction writers, editors, or critics, offer a wealth of new perspectives and insights on the forces that both drive and hinder creativity and its commodification.Many of the essays look at how the market constrains a writer's aesthetic and financial development, how changing perceptions of the science fiction audience are "distorting the product," how writers can and must persevere against the problems facing them, and how the market, as a literature-generating machine out of control, has both its down- and upsides.Through case studies, other contributors relate science fiction to other forms of "underground" literature, consider the continual cycle of illegitimate art replacing legitimate art, look at young readers of science fiction, chart the rising and falling "stock" of science fiction writers' reputations, and consider the influence of editors on a writer's work.Finally, in looking at science fiction and market realities in other countries and other media, the contributors examine American and British science fiction in the context of the two countries' different histories and market conditions, Russian science fiction and the collapse of the Soviet Union, independent and mass-market science fiction film and video, the opening up of the comic book market, and interactive computer games.
Publication: US
Imprint: University of Georgia Press
Returns: Returnable
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A SENSE-OF-WONDERFUL CENTURY
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FIGHTS OF FANCY (HB)
FIGHTS OF FANCY (PB)
FOODS OF THE GODS (HB)
GREGORY BENFORD (HB)
GREGORY BENFORD (PB)
H. G. WELLS'S PERENNIAL TIME MACHINE (PB)
HUGO GERNSBACK AND THE CENTURY OF SCIENCE FICTION (PB)
IMMORTAL ENGINES (HB)
IMMORTAL ENGINES (PB)
ISLANDS IN THE SKY (PB)
MECHANICS OF WONDER (HB)
NO CURE FOR THE FUTURE (HB)
NURSERY REALMS (HB)
NURSERY REALMS (PB)
SCIENCE FICTION (HB)
SCIENCE FICTION (PB)
SCIENCE FICTION AND THE PREDICTION OF THE FUTURE (PB)
SCIENCE FICTION AND THE TWO CULTURES (PB)
SCIENCE FICTION QUOTATIONS (PB)
SCIENCE FICTION, CANONIZATION, MARGINALIZATION AND THE ACADEMY (HB)
SCIENCE FICTION, CHILDREN'S LITERATURE, AND POPULAR CULTURE
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THE ANTICIPATION SCIENCE FICTION NOVELISTS OF 1950S FRANCE (PB)
THE CENTENARIAN (HB)
THE GREENWOOD ENCYCLOPEDIA OF SCIENCE FICTION AND FANTASY (HB)
THE MECHANICS OF WONDER (PB)
THE OTHER SIDE OF THE SKY (PB)
THE SCIENCE OF FICTION AND THE FICTION OF SCIENCE (PB)
THE SPACESUIT FILM (PB)
THREE SCIENCE FICTION NOVELLAS
THREE SCIENCE FICTION NOVELLAS (HB)
UNEARTHLY VISIONS (HB)
VISIONS OF MARS (PB)
WILLIAM GIBSON (HB)
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