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Item Details
Title: ART OF THE RENAISSANCE BRONZE, 1500-1650
THE ROBERT H. SMITH COLLECTION
By: Anthony Radcliffe, Nicholas Penny
Format: Hardback

List price: £95.00
Our price: £85.50
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10% off
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ISBN 10: 0856675903
ISBN 13: 9780856675904
Availability: Usually dispatched within 1-3 weeks.
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Publisher: PHILIP WILSON PUBLISHERS LTD
Pub. date: 28 January, 2005
Pages: 296
Description: This new and extended version of the first edition retains the entries written by Anthony Radcliffe with a few additions or corrections, and an entry that he drafted on the miniature cannon signed by Orazio Antonio Alberghetti has also been incorporated.
Synopsis: The fruits of sixteen years of discriminating acquisition on the international art market, Robert Smith's is one of the most important collections of European bronzes in private hands today. The collection embraces the Renaissance in Italy and northern Europe in such a way that its components complement and enhance the appreciation of each other. Central to the collection is a group of thirteen pieces that illustrate the legacy of Giambologna in Florence. Also assembled are pieces by independent contemporaries: Alessandro Vittoria and Francesco Segala in the Veneto, and the younger Genoese-born Niccolo Roccatagliata, whose surviving work is of the utmost rarity. A selection of fine early North Italian bronzes serves as an introduction to the collection; the Netherlands and France are also well represented. Many pieces have distinguished provenances, and all have been exhaustively researched. The book comprises not just a catalogue but an important and original contribution to scholarship in its own right.This new and extended version of the first edition retains the entries written by Anthony Radcliffe with a few additions or corrections, and an entry that he drafted on the miniature cannon signed by Orazio Antonio Alberghetti has also been incorporated. New entries have been supplied by Marietta Cambareri, currently Curator of Sculpture in the 'Arts of Europe' section of the Museum of Fine Arts, Boston, by Fabio Barry, Mellon intern for 2004 in the Department of Sculpture at the National Gallery of Art, Washington D.C., and by Nicholas Penny.
Illustrations: 134 colour illustrations
Publication: UK
Imprint: Philip Wilson Publishers Ltd
Returns: Returnable
Some other items by this author:
A CLOSER LOOK (PB)
A CLOSER LOOK: PICTORIAL SPACE (PB)
BRONZES, 1500-1650 (HB)
CATALOGUE OF EUROPEAN SCULPTURE IN THE A (HB)
COLLECTING SCULPTURE IN EARLY MODERN EUROPE (HB)
DURER TO VERONESE (PB)
GIOTTO TO DEURER (PB)
ITALIAN PAINTINGS IN THE NORTON SIMON MUSEUM (HB)
LUCIAN FREUD (HB)
METAMORPHOSIS (PB)
NATIONAL GALLERY CATALOGUES (HB)
RAPHAEL (PB)
RENAISSANCE AND LATER SCULPTURE (HB)
RUSKIN''S DRAWINGS (PB)
RUSKIN'S DRAWINGS (HB)
SHADOWS
SHADOWS (HB)
TASTE AND THE ANTIQUE (HB)
THE DARKER SIDE OF LIGHT (HB)
THE GROSVENOR GALLERY EXHIBITIONS (PB)
THE KING'S PICTURES (HB)
THE MATERIALS OF SCULPTURE (PB)
THE NATIONAL GALLERY ANNUAL REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2008 (PB)
THE NATIONAL GALLERY ANNUAL REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2009 (PB)
THE NATIONAL GALLERY CATALOGUES (HB)
THE NATIONAL GALLERY LONDON (PB)
THE ORIENTAL OBSESSION (PB)
THE SIXTEENTH CENTURY ITALIAN PAINTINGS (HB)
TRADITION AND REVOLUTION IN FRENCH ART, 1700-1880 (HB)

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