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Item Details
| Title:
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BRAHMS BEYOND MASTERY
HIS SARABANDE AND GAVOTTE, AND ITS RECOMPOSITIONS |
| By: |
Robert Pascall, Professor Simon Keefe |
| Format: |
Hardback |
| List price:
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£145.00 |
| Our price: |
£130.50 |
| Discount: |
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| You save:
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£14.50 |
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| ISBN 10: |
1409465578 |
| ISBN 13: |
9781409465577 |
| Availability: |
Usually dispatched within 1-3 weeks.
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| Stock: |
Currently 0 available |
| Publisher: |
TAYLOR & FRANCIS LTD |
| Pub. date: |
29 May, 2013 |
| Series: |
Royal Musical Association Monographs |
| Pages: |
116 |
| Description: |
Among the early works of Johannes Brahms are the neo-baroque Sarabande and Gavotte. These dances have not been properly recognised as constituting a distinct Brahms' work before, but manuscript evidence and their performance history indicate that Brahms thought of them as such in the mid-1850s. He later suppressed the dances. |
| Synopsis: |
In 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as constituting a distinct Brahms work before now, but manuscript evidence and their performance history indicate that Brahms and his friends thought of them as such in the mid-1850s, when they became the first music of his performed publicly in Gdansk, Vienna, Budapest and London. He later suppressed the dances, using them instead as a thematic quarry for three chamber music masterpieces, from different stages in his life and in distinctly different ways: the Second String Sextet, the First String Quintet and the Clarinet Quintet. This book gives an account of the compositional and performance history, stylistic features and re-uses of the dances, setting these in the wider context of Brahms's developing creative concerns and trajectory.It constitutes therefore a study of a 'lost' work, of how a fully-formed master opens himself to 'the in-flowing from afar' (in Martin Heidegger's terms), and of the transformative reach and concomitant expressive richness of Brahms's creative thought. |
| Illustrations: |
Includes 3 colour,1 b&w illustration and 9 music examples |
| Publication: |
UK |
| Imprint: |
Ashgate Publishing Limited |
| Returns: |
Returnable |
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