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Item Details
Title: IN THE BALANCE
INDIGENEITY, PERFORMANCE, GLOBALIZATION
By: Helen Gilbert (Editor), J. D. Phillipson (Editor), Michelle H. Raheja (Editor)
Format: Paperback

List price: £19.95
Our price: £18.95
Discount:
5% off
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ISBN 10: 1786940345
ISBN 13: 9781786940346
Availability: Not yet published. (You may still order this item, and we will dispatch your order as soon as it becomes available.)
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Publisher: LIVERPOOL UNIVERSITY PRESS
Pub. date: 31 October, 2017
Pages: 304
Description: Ethical touchstone or thorny complication, indigeneity matters in global debates about natural resources, heritage, governance, belonging and social justice. Through film, music, endurance performance, exhibitions and repatriation practices, as well as the deft appropriation of hip-hop, karaoke and reality TV, indigenous arts are the vanguard in communicating what is now at stake in globalization.
Synopsis: An Open Access edition of this book will be made available on publication via LUP's website and OAPEN.Indigenous arts, simultaneously attuned to local voices and global cultural flows, have often been the vanguard in communicating what is at stake in the interactions, contradictions, disjunctions, opportunities, exclusions, injustices and aspirations that globalization entails. Focusing specifically on embodied arts and activism, this interdisciplinary volume offers vital new perspectives on the power and precariousness of indigeneity as a politicized cultural force in our unevenly connected world. Twenty-three distinct voices speak to the growing visibility of indigenous peoples' performance on a global scale over recent decades, drawing specific examples from the Americas, Australia, the Pacific, Scandinavia and South Africa.An ethical touchstone in some arenas and a thorny complication in others, indigeneity is now belatedly recognised as mattering in global debates about natural resources, heritage, governance, belonging and social justice, to name just some of the contentious issues that continue to stall the unfinished business of decolonization. To explore this critical terrain, the essays and images gathered here range in subject from independent film, musical production, endurance art and the performative turn in exhibition and repatriation practices to the appropriation of hip-hop, karaoke and reality TV. Collectively, they urge a fresh look at mechanisms of postcolonial entanglement in the early 21st century as well as the particular rights and insights afforded by indigeneity in that process.
Illustrations: Illustrations
Publication: UK
Imprint: Liverpool University Press
Returns: Returnable
Some other items by this author:
(POST)COLONIAL STAGES (PB)
BURDEN OR BENEFIT?
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BURDEN OR BENEFIT? (HB)
ECONOMIES OF REPRESENTATION, 1790-2000
ECONOMIES OF REPRESENTATION, 1790-2000
FATHERS AND THEIR FAMILIES
HERBAL MEDICINES
HERBAL MEDICINES
HERBAL MEDICINES (CD)
HERBAL MEDICINES (HB)
HERBAL MEDICINES (HB)
IN TRANSIT (PB)
PARENT-CHILD AUTOBIOGRAPHICAL MEMORY TEST
PERFORMANCE AND COSMOPOLITICS
PERFORMANCE AND COSMOPOLITICS (HB)
PERFORMANCE AND COSMOPOLITICS (PB)
POST-COLONIAL DRAMA
POST-COLONIAL DRAMA
POST-COLONIAL DRAMA
POST-COLONIAL DRAMA
POST-COLONIAL DRAMA (HB)
POST-COLONIAL DRAMA (PB)
POSTCOLONIAL PLAYS
POSTCOLONIAL PLAYS
POSTCOLONIAL PLAYS
POSTCOLONIAL PLAYS (HB)
POSTCOLONIAL PLAYS (PB)
PRIMARY FRIDAYS
RECASTING COMMODITY AND SPECTACLE IN THE INDIGENOUS AMERICAS (PB)
RESERVATION REELISM (HB)
RESERVATION REELISM (PB)
SIGHTLINES (HB)
SIGHTLINES (PB)
THE CHEMISTRY AND BIOLOGY OF ISOQUINOLINE ALKALOIDS (PB)
WILD MAN FROM BORNEO (HB)
WILD MAN FROM BORNEO (PB)

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